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Time Line. Sack of Rome (1527) Renaissance (16 th - Early 17 th ) Council of Trent (1545–63) Brief Style - Mannerism Baroque (Late 17 th - Early 18 th ) Rococco (1700-1760 aka 1800’s). Middle Ages. Madonna Enthroned Early Italian Renaissance egg tempera painting 1280 by Cimabue.
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Time Line • Sack of Rome (1527) • Renaissance (16th- Early 17th) • Council of Trent (1545–63) • Brief Style - Mannerism • Baroque (Late 17th- Early 18th) • Rococco (1700-1760 aka 1800’s)
Middle Ages Madonna EnthronedEarly Italian Renaissanceegg tempera painting1280by Cimabue Madonna EnthronedEarly Italian Renaissanceegg tempera painting1310by Giotto
Renaissance(Rebirth) Holy TrinityItalian Renaissancefresco1425by Masaccio
Italian Renaissance Leonardo Da Vinci Virgin on the Rocks.1495-1508 Oil on Panel, 189.5 x 120 cm National Gallery, London Raphael. School Of Athens1510-11. FrescoStanza della Segnatura, Palazzi Pontifici, Vatican
Italian Renaissance Northern Renaissance Arnolfini Wedding Portraitoil on wood1434by Jan Van Eyck Davidmarble sculpture1501-4by Michelangelo
Mannerism Parmigianino Virgin with the Long Neck (1535) Pontormo Entombment (1525-8).
BaroquePortugese- a pearl of irregular shape Primary colors Compositions Complex and Contradictory Dynamic and Diagonal This creates a sense of tension and movement Lighting- Intense Shadows and Shading (Chiaroscuro) Content (Middle of the action/emotional) Italian: Mainly Catholic Countries/subject matter Religious themes with some Greek and roman inspired work - Northern: Not as religious, although Vanitas (life-cycle still lives), eventually leads to Rococo
Artists • Italy - Painters: • Caravaggio • Artemísia Gentileschi • Carracci (There are 3) - Sculptors: • Bernini • Giambologna • The North: • Claesz • Rembrandt • Rubens
Caravaggio The Supper at Emmaus by Michelangelo Merisi da Caravaggio, 1601Oil on canvas. National Gallery, London
Carravaggio The Conversion of St. Paul Carravaggio The Sacrifice of Isaac
Caravaggio.Bacchus. c.1597. Oil on canvas. Galleria degli Uffizi, Florence, Italy. Judith Beheading Holofernesc. 1598; Oil on canvas, 56 3/4 x 76 3/4 in; Galleria Nazionale dell'Arte Antica, Rome
Artemísia Gentileschi Artemisia Gentileschi - Self-Portrait as a Lute Player Mary Magdalene Pitti
Caravaggio Judith Beheading Holofernes, oil on canvas Artemisia Gentileschi Judith Beheading Holofernes, oil on canvas
Artemisia Gentileschi Judith and Her Maidservant with the Head of Holofernes, oil on canvas Condottiero Bologna
Title: 'Esther Before Ahasuerus' Painter: Artemisia Gentileschi Year: 1628-35
Carracci (There are 3) Annibale Carracci Paesaggio con la fuga in Egitto"1604 Galleria Doria Pamphilij Roma. Annibale Carracci L'Assunta (S.Maria del Popolo a Roma)
Pieta Painting by Annibale Carracci Annibale Carracci Assumption of the Virgin
Christ Appearing to St. Peter on the Appian Way (St. Peter) The Coronation of the Virgin, after 1595, Annibale Carracci (Italian, Bolognese), Oil on canvas (1971.155)
Lodovico Carracci Annibale Carracci The Dead Christ Mourned ('The Three Maries') about 1604, Bargellini Madonna (1588) Oil on canvas, 282 x 188 cm
Bernini Bernini. Ecstasy of St. Theresa Cornaro Chapel.
The short version… The god Apollo slights Eros, the god of love, who gets revenge by shooting arrows at Apollo and a girl, Daphne. Apollo falls in love while Daphne hates him. Daphne's father, pressures her to get married and bear him grandchildren but she refuses. Finally, to escape Apollo she begs and pleads for her father to save her, he does…by turning her into a tree. Bernini, Apollo and Daphne, Marble,1622-1625
As the story goes…. Persephone had grown into a beautiful young woman, with a smile for everyone. One day, while picking flowers in the fields, Hades, her uncle, the god of the underworld, noticed her. Hades was normally a gloomy fellow. But Persephone’s beauty had dazzled him. He fell in love instantly. Quickly, before anyone could interfere, he kidnapped Persephone and hurled his chariot down into the darkest depths of the underworld, taking Persephone with him. Locked in a room in the Hall of Hades, Persephone cried and cried. She refused to speak to Hades. And she refused to eat. Legend said if you ate anything in Hades, you could never leave. She did not know if the legend was true, but she did not want to risk it in case someone came to rescue her. Nearly a week went by. Finally, unable to bear her hunger, Persephone ate six pomegranate seeds. It seemed her fate was sealed. She would have to live in the Underworld forever. Meanwhile, back on earth, Zeus was worried about the crops. The people would die if the crops failed. If that happened, who would worship Zeus? He had to do something. Zeus did what he often did. He sent Hermes, his youngest son, the messenger, to crack a deal, this time with Hades. Even as a baby, Hermes was great at making deals. Everyone knew that. But this deal might be the challenge of his life. His uncle Hades, king of the underworld, was really in love. This was no passing fancy. When Hermes heard that Persephone had eaten six pomegranate seeds, he had to think quickly. The deal he made with Hades was that if Persephone would marry Hades, she would live as queen of the underworld for six months out of the year. However, each spring, Persephone would return and live on earth for the other six months of the year. Hades agreed. Zeus agreed. Persephone agreed. And finally, Demeter agreed. Each spring, Demeter makes sure all the flowers bloom in welcome when her daughter, Queen of the Underworld, returns to her. Each fall, when Persephone returns to Hades, Demeter cries, and lets all the crops die until spring, when the cycle starts again. http://greece.mrdonn.org/greekgods/demeter.html Bernini, The Rape of Persephone, Marble, 1621-1622
Michelangelo , Davidmarble 1501-4 Bernini , David, Marble 1623
Giambologna Samson and PhilistineGiovanni Bologna (Giambologna) (1529-1608). Italy, 1500-50, Marble
Death of the Centaur (Hercules killing centaur)
Northern Baroque Vanitas - The word is Latin, meaning "emptiness" and loosely translated corresponds to the meaninglessness of earthly life and the transient nature of vanity. Willem Claesz. Still Life, 1634, Oil on panel, 16 7/8 x 22 7/8 in., Museum Boymans-van Beuningen, Rotterdam
Rembrandt Rembrandt The Night Watch, Oil on Canvas, 1642
Rembrandt,The Anatomy Lesson of Dr. Nicolaes Tulp, 1632 RembrandtDescent from the Cross, 1634
The Return of the Prodigal son, 1662 Rembrandt, Supper at Emmaus, 1628
Rubens Peter Paul Rubens " The Fall of Phaeton" 1605 oil on canvas The National Gallery of Art, Washington D.C
Rubens, Battle of the Amazons, 1618-1620 Rubens, The Last Judgement, 1617
Rococco 1700-1760 aka 1800’s • Little to no religion, Outdoor garden scenes, Pastoral • Lacy, Ornate, Feminine • Gold and Pastel color schemes • Asymmetrical • French
Fragonard A Young Girl Reading, c. 1776, National Gallery of Art, Washington, DC. The Swing (French: L'escarpolette), 1767, Wallace Collection, London Jean-Honoré FragonardThe Meeting (Part of the Progress of Love series), 1771
Watteau Ceres (Summer), 1712 Fetes Venitiennes 1719 22.05 x 18.11 inches / 56 x 46 cm The National Gallery of Scotland, Edinburgh The Embarkation for Cythera, 1717 Love Song (c. 1717)
Boucher The Rising of the Sun .1753 Oil on canvas 125.20 x 102.76 inches Wallace Collection François BoucherPortrait of the Marquise de Pompadour, 1756 Portrait of woman with roses,
Rococo Architecture The Rococo Basilica at Ottobeuren (Bavaria)
Resources • www.artchive.com • http://www.ibiblio.org • http://www.artlex.com • http://faculty.evansville.edu/rl29/art105/f01/art105-4.html • http://tollelege.wordpress.com/2006/04/26/the-supper-at-emmaus-by-caravaggio/