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This text explores the concept of happiness from a feminist perspective, challenging societal norms and expectations. It examines the idea of the happy housewife and the role of women in achieving happiness. It also discusses the importance of imagination, willfulness, and expression of one's own desires in feminist movements. Furthermore, it addresses the dismissal of anger and the experiences of the angry black woman. This thought-provoking text delves into the complexities of happiness and highlights the need for critical perspectives.

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  1. announcements • Final Exam Friday 3 to 6pm • Bring BLANK bluebook • Any questions? • Part 1 – Short Answers • Part 2 - Essays

  2. Feminist killjoys Unhappiness, Guilt, Anger

  3. The (Un)happy Housewife • “The happy housewife is a fantasy figure that erases the signs of labor under the sign of happiness” (Ahmed 50) • Housework is not labor and therefore not subject to compensation or exploitation because women should be naturally happy to do it – to be a good wife/mother is naturally the cause of women’s happiness • White feminists critique the happy housewife as patriarchal fantasy BUT do not see that liberation from housework is only accomplished by relegating women of color to domestic labor (51) • Ex. Domestica

  4. What makes you happy? • Happiness as emotional satisfaction • But how do you know what will make you happy? • “Happiness involves a form of orientation: the very hope for happiness means we get directed in specific ways, as happiness is assumed to follow from some life choices and not others” (54) • Social norms powerfully determine what should make one happy

  5. If you’re happy, thenI’m happy • Within patriarchal society, women’s happiness is contingent on how happy she makes others • “In this case, for the daughter not to go along with the parents’ desire for her marriage would not only cause her parents unhappiness but would threaten the very reproduction of social form. The daughter has a duty to reproduce the form of the family, which means taking up the cause of parental happiness as her own” (58)

  6. troubling happiness • “We can think of gendered scripts as ‘happiness scripts’ providing a set of instructions for what women and men must do in order to be happy, whereby happiness is what follows being natural or good. Going along with happiness scripts is how we get along: to get along is to be willing and able to express happiness in proximity to the right things” (59) • “The female troublemaker might be trouble because she gets in the way of the happiness of others” (60) • She questions conventional wisdom about what is supposed to make her and others happy

  7. Trouble & imagination • “the happiness duty for women is about the narrowing of horizons, about giving up an interest in what lies beyond the familiar” (61) • Marriage and reproduction are defined as the ultimate happiness of women • To imagine a life without a husband, without children is to trouble gendered happiness scripts • “imagination is what allows girls to question the wisdom they have received and to ask whether what is good for all is necessarily good for them” (62)

  8. Willful feminists • “Feminism gives time and space to women’s desires that are not assembled around the reproduction of the family form. Feminists must thus be willing to cause disturbance. Feminists might even have to be willful. A subject would be described as willful at the point her will does not coincide with that of others, those whose will is reified as the general or social will” (64) • Expression of one’s own will = desire for self-autonomy • Desire for self-autonomy = refusal to conform to gendered scripts of happiness • Refusal to conform = expression of imagination and resistance to heteropoatriarchy

  9. Feminist killjoy • “Feminists might kill joy simply by not finding the objects that promise happiness to be quite so promising. The word feminism is saturated with unhappiness. Feminists by declaring themselves as feminists are already read as destroying something that is thought of by others not only as being good but as the cause of happiness. The feminist killjoy ‘spoils’ the happiness of others; she is a spoilsport because she refuses to convene, to assemble, to meet up over happiness” (65) • The feminist exposes the injustice that underlies social conventions of “happiness” & makes you feel bad • “Don’t be so serious!”… but the denial of people’s dignity is serious • “I was just joking”… the denial of people’s dignity is not funny • “Why do you have to be like that?” … why does the world have to be like this?

  10. The angry black woman • “The angry black woman can be described as a killjoy; she may even kill feminist joy, for example, by pointing out forms of racism within feminist politics” (67) • To be labeled angry is to have the causes of your anger dismissed – it is to make you unreasonable, it is to avoid facing racism and sexism and one’s responsibility to react to injustice • “Reasonable thoughtful arguments are dismissed as anger (which of course empties anger of its own reason), which makes you angry, such that your response becomes read as the configuration of evidence that you are not only angry but unreasonable” (68) • “Feelings can get stuck to certain bodies… And certain bodies can get stuck depending on what feelings they get associated with” (69)

  11. Critical unhappiness • “Opening up the world, or expanding one’s horizons, can thus mean becoming more conscious of just how much there is to be unhappy about. Unhappiness might also prove to be an affective way of sustaining our attention on the cause of our unhappiness. You would be unhappy with the causes of unhappiness” (70) • Unhappiness = critical method that can reveal and force focus on what causes unhappiness • Feminist anger versus ignorance’s bliss • Unhappiness becomes measure of aliveness and lack of delusion (78) • One feels unhappy because the fantasy of socially conventional happiness has failed

  12. Seeing unhappiness • “To see racism, you have to un-see the world as you learned to see it, the world that covers unhappiness, by covering over its causes. You have to be willing to venture into secret places of pain” (83) • “To revitalize the critique of happiness is to be willing to be proximate to unhappiness. I have suggested that feminist consciousness involves consciousness of unhappiness that might even increase our unhappiness, or at least create this impression… There is solidarity in recognizing our alienation from happiness, even if we do not inhabit the same place (we do not). There can even be joy in killing joy. And kill joy, we must do” (87)

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