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Austrian painter Marianne Stokes (1855-1927) studied painting in France; her subjects began in the rustic genre, but she eventually settled on medieval romantic and biblical themes. She was married to the English landscape painter Adrian Stokes and was a member of the Royal Academy.
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Marianne Stokes the Pre-Raphaelite movement Designed by artist Marianne Stokes this tapestry was woven by John Martin and Gordon Berry, Morris & Co, Merton Abbey in 1912 The tapestry Ehret die Frauen was inspired by a quotation from Schiller's 1796 poem, 'Wurde der Frauen' (Women's Worth) which appears in the upper border: 'honour the women, they broid and weave heavenly roses into earthly life'. Below the figures are labelled left to right: Courage, Caring, Love, Wisdom and Fidelity. The original hangs in the Whitworth Art Gallery, Manchester. The tapestry itself represents five different aspects of the virtues of womanhood. The women featured from left to right are Schutz (Protection or Courage), Pflege (Nurture), Liebe (Love), Wissen (Wisdom) and Treue (Fidelity). The Schiller verse in full Ehret die frauen sie flechten und meben, himmlische rosen ins irdische leben (Honour the women, they braid and weave heavenly roses into earthly life), is written within the border of the tapestry. The English translation seems to differ a little from person to person, but the general implication seems to be the same. Marianne Stokes (1855-1927) Marianne Stokes (1855 Graz – 1927 London), born Marianne Preindlsberger in the Austrian province of Styria, was an Austrian painter. She settled in England after her marriage to Adrian Scott Stokes (1854-1935), the landscape painter, whom she had met in Pont-Aven. Marianne Stokes was considered one of the leading artists in Victorian England. As a member of the Royal Academy, Stokes exhibited her paintings, such as Aucassin and Nicollette, and they were met with much love and admiration, both for their appeal and Stokes s devotion to the rustic genre style, no matter the subject. 85 84
Courage Caring Love Wisdom Fidelity Marianne Stokes - Morris & co 1912 Women's Worth tapestry, Whitworth Art Gallery, Manchester
Melisande (1895-1898) Wallraf-Richartz Museum Cologne
Aucassin and Nicolette Private collection Aucassin et Nicolette (12th or 13th C) is an anonymous medieval French chantefable, or combination of prose and verse (literally, a "sung story“)
St Elizabeth of Hungary Spinning for the Poor, 1895 Private collection
Death and the Maiden Musée d'Orsay París.
Saint Elizabeth Working for the Poor, c.1920 Art Gallery of New South Wales, Sydney, Australia
The Princess on Glass Mountain. An illustration for Grimm's Fairy Tales.
Candlemas Day, circa 1901 Tate Britain, London
A devout brother of the order of St. Francis The Annunciation
An Angel Private collection
Madonna of the Fir Tree Museum of Fine Arts, Boston
Madonna and child Wolverhampton Museum and Art Gallery
Text and pictures:Internet All copyrights belong to their respective owners Presentation: Sanda Foişoreanu https://www.slideshare.net/michaelasanda https://ma-planete.com/michaelasanda 2011 Sound: Negro spirituals - Martina Arroyo