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Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms.
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Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms “. . . .every Museum of Modern Art in the United States and Europe should be required, in the spirit of truth in advertising, to change its name to Museum of Western Modernism until it has earned the right to do otherwise.” Holland Cotter NYTimes, 2012
Pre-Colonial Mughal Art: Portrait of Amr Singh attributed to Bishin Das dated 1624 AD Abanindranath Tagore (India, 1871-1951) My Mother, N/D, c.1920,12.7 x 20.3 cm. “Modernized” Moghul and Rajput styles under the British Raj Reminder: British control of India began in 1757, lasted 190 years, and ended in 1947.
Rabindranath Tagore (1861-1941) , “father” of Indian Modernism – poet, novelist, educator, artist, reformer, critic of colonialism, early advocate of Independence for India, winner of the Nobel prize for literature in 1913 Rabindrinath Tagore and Einstein, July 14, 1930 Poem visually composed Dancing Girl, oil painting, 1910?
The Sacred Grove, site of Osun-Osogbo festival in Nigeria, a 600 year old ritual that pays homage to the Yoruba Orisha (Goddess) of the Osun River.
Suzanne Wenger (Austrian-Nigerian sculptor) in Sacred Grove, Osogbo, Nigeria(left) God of Smallpox, clay sculpture by Wenger for the Sacred Grove Wenger in her home
Open link below to follow the geographical history of European colonialism, 1492-2008 http://upload.wikimedia.org/wikipedia/commons/8/89/Colonisation2.gif
Aina Onabolu, Barrister, 1920sWhat is “modern” about this painting?
Aina Onabolu (Nigerian, 1882-1963), Portrait of a Man, 195519 x 15”, watercolor on board
The Nude corresponds to a drawing reproduced in the obituary by the son Dapo. 1910? I think it was from 1920. Aina Onabolu, Nude, 1910 (?)“The Nude corresponds to a drawing reproduced in the obituary by the son Dapo. 1910? I think it was from 1920.”(Everlyn Nicodemus email 9/5/2012)
Picasso, Portrait of the Artist’s Mother, 1896 Picasso is 15 years old. What people regard as premature genius is the genius of childhood.… So far as I am concerned, I did not have that genius. My first drawings could never have been shown at an exhibition of children’s drawings. I lacked the clumsiness of a child, his naiveté. I made academic drawings at the age of seven, the minute precision of which frightened me.” Picasso Self-Portrait, 1896
Iberian stone relief showing facial structure of 1906 portraits Detail, Gertrude Stein, 1906 Picasso, Self-Portrait, 1906
Picasso, Les Demoiselles d'Avignon, Paris, June-July 1907, oil on canvas, 8' x 7' 8“The artist is 25 years old.
(left) Edgar Degas, Name Day of the Madame, 1889, monotype and pastel Compare with Les Demoiselles D’Avignon
(left) Paul Cézanne, Large Bathers, oil on canvas, 52 x 86 in.,1900-05 with Les Demoiselles
Henri Matisse, Joy of Life, 1905-06with Les Demoiselles, 1907
(left) Henri Rousseau (French Post-Impressionist Painter, 1844-1910), The Dream, 1910
Transformative influence of African tribal sculpture Picasso’s epiphany in June 1907 at the ethnographic museum in ParisBraque: “It is as if someone had drunk kerosene to spit fire." “My first exorcism painting…. For me the masks were not just sculptures. They were magical objects...intercessors...against everything - against unknown threatening spirits....They were weapons . . . to keep people from being ruled by spirits. To help them free themselves. . . . If we give a form to these spirits we become free."
(left) Pablo Picasso, Three Women, 1907-8, oil on canvas, 6’6” x 7’6”(right) Georges Braque (French, 1882-1963), Large Nude, 1908, oil on canvas, 55” x 39”begun immediately after seeing Les Demoiselles and the first stage of Three Women.
Shared Primitivism: (right) Picasso in Paris studio with Caledonian figures, 1908(left) Braque in Paris studio with African masks, 1911
(left) Henri Matisse (French, 1869–1954) The Blue Nude (Souvenir of Biskra) 1907, oil on canvas, 36 x 55”, Fauvism(right) Braque, Large Nude, 1908, oil on canvas, 55” x 39” Influence of Matisse on Braque (and Picasso). Matisse introduced Picasso to African art in the autumn of 1906.
Picasso, Maquette for Guitar, October 1912, cardboard, string and wire(right) Grebo mask owned by Picasso
(left) Braque’s only documented paper sculpture, photographed in 1914(right) Wall arrangement in Picasso’s studio, November-December 1912. Picasso’s cardboard guitar generated the concept of the papiers collés aroundit
(left) Picasso, Guitar, Sheet Music and Glass, charcoal and papier collé, November 1912 (right) Braque, Fruit Dish and Glass, charcoal and papier collé, September 1912 “LA BATAILLE S’EST ENGAGÉ”: “I have to admit, that after having made the papier collé I felt a great shock, and it was an even greater shock for Picasso When I showed it to him” Braques