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Hrvatska

Hrvatska. Višeglasno pjevanje dalmatinskih klapa Klapa multipart singing of Dalmatia. 2012.g. upisano u popis nematerijalne svijetske baštine u Europi. Inscribed in 2012 on the Representative List of the Intangible Cultural Heritage of Humanity. Dalmacija - Dalmatia.

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Hrvatska

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  1. Hrvatska Višeglasno pjevanje dalmatinskih klapa Klapa multipart singing of Dalmatia

  2. 2012.g. upisano u popis nematerijalne svijetske baštine u Europi. Inscribed in 2012 on the Representative List of the Intangible Cultural Heritage of Humanity. Dalmacija - Dalmatia

  3. Klapsko pjevanje jevišeglasno tradicijsko pjevanje južnih krajeva Hrvatske - Dalmacije. Višeglasno pjevanje, a capella homofono pjevanje, usmena predaja i jednostavnostglazbe su njegove glavne značajke.Vođa svake pjevačke skupine je prvi tenor, slijedi nekoliko tenora, baritona i basova. Za vrijeme izvođenja pjevači stoje u tijesnom polukrugu. Prvi tenor započinje pjevanje a ostali ga slijede. Glavni cilj je postići najbolji mogući spoj glasova. Teme pjesama su ljubav, životne situacije i okoliš (zemlja, more). Pjevači su vješti amateri koji nasljeđuju tradiciju svojih prethodnika. Lokalne zajednice vide u klapskom pjevanju središnji biljeg svog glazbenog identiteta, koji uključuje poštivanje različitosti, kreativnosti i komunikacije.

  4. Klapa singing is a multipart singing tradition of the southern Croatian regions of Dalmatia. Multipart singing, „a capella”homophonic singing, oral tradition and simple music making are its main features. The leader of each singing group is the first tenor, followed by several tenor, bariton and bass voices.During performances, the singers stand in a tight semicircle. The first tenor starts the singing and is followed by the others. The main aim is to achieve the best possible blend of voices.Topics of klapa songs usually deal with love, life situations, and the environment in which they live. Bearers and practitioners are skilled amateurs who inherit the tradition from their predecessors. Local communities see klapa singing as a central marker of their musical identity, incorporating respect for diversity, creativity and communication.

  5. Glagoljaški notni zapis. Glagolitic musical notes.

  6. Dubrovnik

  7. Hvar

  8. Split

  9. Korčula

  10. Krk

  11. Šibenik

  12. Šibenik

  13. Zadar

  14. Omiš

  15. Omiš

  16. Vrbnik

  17. Kornati

  18. Mljet

  19. Lošinj

  20. Poveznica na 7. susret klapa – Labin 2013. Link to 7th Meeting of Klapa – Labin 2013 https://www.youtube.com/watch?v=k6sfmSh5y5g klick here - send mail drago.karlo@gmail.com

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