Kim H. Veltman Maastricht McLuhan Institute

1. Roadmaps for Research and Research Topics in Digital Culture European Commission Preservation and enhancement of cultural heritage DG INFSO/E Luxembourg 28 January 2003 Kim H. Veltman Maastricht McLuhan Institute

2. G7 1996 CAPTURE NAVIGATE ARCHIVE DISPLAY

3. 2002 Capture Archive ACCESS Navigate Display

4. 2002 PRESERVECapture ArchiveLEARN ACCESS NavigateDisplay CREATE

5. 1995 PRESERVE LEARN ACCESS CREATE

6. 2002 PRESERVE ECPA -European Commission For Preservation and AccessERPANET-European Resource Preservation and Access NetworkENCORE -European Network of Conservation and Restoration EducationC2RMF -Centre de Recherche et Rerstauration des Musées de France

7. 2002 PRESERVE 1. Physical Network Linking Conservation Departments in France as basis for European Network re: Expertise building on efforts of ERPANET and ENCORE and as part of NoE for Culture.

8. 2002 PRESERVE 2. Physical Sub-Network Linking Conservation Departments specifically dealing with “Born Digital” materials using the International Network of Conservators of Contemporary Art (INCCA) EoI as point of departure.

9. 2002 PRESERVE 3. Explore requirements for European Mirrored Repositories (EMR) as protection against human and natural disaster in context of a Distributed European Electronic Resource (DEER). Explore if an European Digital Documentation Centre (EDDC) is needed.

10. 2002 PRESERVE 4. Need to build preservation into creation/production life-cycle such that preservation becomes a part of every IP and STRP just as dissemination is today.

11. 1995 PRESERVELEARN ACCESS CREATE

12. ACCESS IFLA International Federation of Library Associations ICOM International Council of Museums ICA International Council on ArchivesDELOS Network of Excellence on Digital Libraries NEMO Network of European Museum AssociationsEAN European Archival Network

13. PRESERVE and ACCESS ECPA -European Commission For Preservation and AccessERPANET-European Resource Preservation and Access Network

14. Preservation of and Access to Existing Cultural Knowledge We need a Grid for Culture which builds on the solutions of the E-Science Grid where appropriate.

15. Preservation of and Access to Existing Cultural Knowledge This requires building high speed broadband into projects so that institutions are linked through GEANT.

16. Preservation of and Access to Existing Cultural Knowledge .

17. Preservation of and Access to Existing Cultural Knowledge In science laws apply globallyIn culture expressions vary nationally, regionally and locally.

18. Preservation of and Access to Existing Cultural Knowledge To overcome problems of subsidiarity we need an approach that leaves national, regional and especially local cultures and languages intact to assure a Unity of diversities (Ruffolo)

19. Preservation of and Access to Existing Cultural Knowledge Digital Autonomous Cultural Objects (DACOs, Thaller) and Multilingual Access to Subjects (MACS) offer part of the solution.

20. Preservation of and Access to Existing Cultural Knowledge Use templates for links to different local, regional, national templates: Master Templates

21. Preservation of and Access to Existing Cultural Knowledge We need not just the official story but the same story from different viewpoints.

22. Preservation of and Access to Existing Cultural Knowledge Local Periphery Fact Regional Provinces Event Story National Centre International e.g. Europe Global World Centre Elements for a New Framework

23. Preservation of and Access to Existing Cultural Knowledge  Semantic access and knowledge organisation Spatio-temporal access with historical-cultural dimensions

24. Preservation of and Access to Existing Cultural Knowledge  Semantic access and knowledge organisation Multilingual Sharing of:Technical Terms C2RMF Culturally Variable Terms AMP Semantic Terms SEMKOS

25. Dynamic Knowledge: Same Title in Different Media Paintings Milan Santa Maria delle Grazie Florence San Marco Florence Santa Croce Assisi San Francesco Copies London Lugano Pavia Tongero Versions Variations Based on Caricatures Reproductions Engravings Lithographs Photographs Videos Texts New Testament Matthew Mark Luke John Last Supper

26. Dynamic KnowledgeSame Title in Different Lists Need access not only to today’s list of Rembrandt’s paintings but lists which change over time.

27. Dynamic KnowledgeIntegration of various lists which change over time Manuscripts Transcriptions Translations Interpretations Criticism Paintings Instruments

28. Dynamic CultureSame Object in Different Interpretations Archeoguide: Reconstruction of Temple of Hera, Olympia http://archeoguide.intranet.gr/project.htm

29. Augmented Reality IBM http://www.research.ibm.com/journal/sj/384/spohrer.html

30. Preservation of and Access to Existing Cultural Knowledge Spatio-temporal access with historical-cultural dimensionsIntegration of Spatial Scales ( UMTS, GPS, GIS)ObjectRoom BuildingSite (Archaeological)CityLandscape Route

31. Dynamic Geography Europe in 1000 Europe in 1400

32. Preservation of and Access to Existing Cultural Knowledge  Semantic access and knowledge organisation Virtual Reference RoomsTerms ClassificationsDefinitions DictionariesExplanations Encyclopaedias Authors, TitlesPartial ContentsFull Contents 

33. Preservation of and Access to Existing Cultural Knowledge  Semantic access and knowledge organisation Virtual Libraries Terms ClassificationsDefinitions DictionariesExplanations Encyclopaedias Authors, TitlesPartial ContentsFull Contents Internal AnalysesExternal AnalysesRestorationsReconstructions 

34. Quictionnnary

36. 1995 PRESERVE LEARN ACCESS CREATE

37. CREATE EAVO European Audio Visual ObservatoryEBU European Broadcasting UnionDHAN Digital Heritage Audiovisual Network

38. Creation, Preservation and Learning of New Cultural Knowledge In analog mode the creation/production of each medium was different. Manuscript ScriptoriumBook Printer, PublisherFilm Film StudioTelevision Television Studio

39. Creation, Preservation and Learning of New Cultural Knowledge In analog mode the creation/production of each medium is different. Book Publisher USINE EoITelevision Television Studio PRESTO EoI

40. Creation, Preservation and Learning of New Cultural Knowledge In digital mode the creation/production of all media are potentially linked Manuscripts Film Intangible Customs Archives Television  DanceDocuments Music  CeremonyLetters Born Digital Art  RitualProtocols Internet Art PerformanceBooksDrawings Paintings MapsCultural ObjectsScientific Objects Radio

41. Creation, Preservation and Learning of New Cultural Knowledge In digital mode the access modes are potentially linked to all the senses.Access via all the Senses2D Vision3D VisionAutostereoscopyStereoscopy3D SoundHapticSmell

42. Creation, Preservation and Learning of New Cultural Knowledge In digital mode the access modes are potentially linked to all devicesAccess via Range of DisplaysCellular Phone PDANotebookDesktopTelevision ScreenImmersadeskWall ScreenCAVEBlue RoomIMAXIMAX 3D

43. Creation, Preservation and Learning of New Cultural Knowledge In digital mode the access modes potentially link: Content Context Communication

45. Creation, Preservation and Learning of New Cultural Knowledge This requires new collaborative virtual environments for both large scale professional and personal creation, production and learning.

46. TerminaleMobile CALL CENTRE MOBILE TERMINALS … CINECA: VR and PDA The MUSE project

47. CINECA Virtual Cultural Heritagerefers to the usage of Virtual Reality systems in order to generate, navigate, explore and inquire into reconstructed historical environments.

48. CNR ITABC Maurizio.Forte : A Network of Virtual Heritage Centres Data

49. Roadmap for a Solution

50. Network of Excellence (Noe) for Culture 1. Build National Networks to share critical methods and content 2. Research Matrices > Network of Networks 3. Distributed European Electronic Resource (DEER):integrate STRPs and IPs 4. European Masters and Doctorates 5. Dissemination