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Explore the groundbreaking conceptual art movement in New York during the 1970s, featuring prominent artists like Eva Hesse, Vito Acconci, Richard Serra, and more. Witness the innovative approaches to body art, earth art, and avant-garde concepts that redefined the art landscape of the era.
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Art in New York The Seventies – Body Art – Earth Art – Conceptual Art
Eva Hesse, Accession II, 1967 (fiberglass and plastic tubing).
Eva Hesse, Accession II, 1967 (fiberglass and plastic tubing).
Eva Hesse, Contingent,, 1969, fiberglass and latex over cheesecloth.
Eva Hesse, Repetition Nineteen III, 1968 , Fiberglass and resin.
Bruce Nauman, Self-Portrait as a Fountain, 1966, photograph of performance.
Bruce Nauman, The True Artist Helps the World by Revealing Mystic Truths, 1967, neon tube lights.
Bruce Nauman, 100 Live and Die, 1966-1967, neon tube lettering.
Bruce Nauman, Live / Taped Video Corridor, 1970, wallboard, video camera and monitors, video tape, 12‘ X 32‘ X 1‘ 8“.
Richard Serra, Belts, 1966-1967, industrial rubber belts and neon tube lights on a wall, 6‘ X 18’ X 20“.
Richard Serra throwing lead, Castelli Warehouse, New York 1969.
Richard Serra, Tilted Arc, 1981, Cor-Ten steel, 10‘ X 120‘ X 3", Federal Plaza, New York City (demolished in 1989).
Richard Serra, Tilted Arc, 1981 (removed in 1989), hot-rolled steel, Federal Plaza, New York.
Richard Serra, Sculptures, Steel, Guggenheim Museum, Bilbao, Spain.
Richard Serra, Between the Torus and Sphere , 2003-2005, Guggenheim Bilbao Museum.
Richard Serra, Open Ended, 2007-2008, Gagosian Gallery in London.
Richard Serra, Two torqued toruses of weatherproof steel, 2007-2008, Gagosian Gallery in London.
Walter de Maria, Lightning Field, 1971-77, near Quemado, NM, 400 stainless steel poles placed into soil, each is approx. 20‘ 7" high, Dia Art Foundation, New Mexico.
Walter de Maria, Lightning Field, 1971-72, Nevada, New Mexico.