1 / 33

風格派： 抽象的知覺經驗與現代性

風格派： 抽象的知覺經驗與現代性. 劉瑞琪. De Stijl, 1917- Piet Mondrian (1872-1944) Theo van Doesburg Gerrit Rietveld grid （格子）. Piet Mondrian , Evolution (1910-1911). Piet Mondrian , Still Life with Ginger Jar (1911-1912) vs. Piet Mondrian , Still Life with Ginger Jar (1911-1912).

sezja
Download Presentation

風格派： 抽象的知覺經驗與現代性

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. 風格派：抽象的知覺經驗與現代性 劉瑞琪

  2. De Stijl, 1917- • Piet Mondrian (1872-1944) • Theo van Doesburg • Gerrit Rietveld • grid（格子）

  3. Piet Mondrian, Evolution (1910-1911)

  4. Piet Mondrian, Still Life with Ginger Jar (1911-1912) vs. Piet Mondrian, Still Life with Ginger Jar (1911-1912)

  5. Piet Mondrian, The Red Tree (1908-1912) vs. Piet Mondrian, Gray Tree (1911)

  6. Piet Mondrian, Flowering Apple Tree (1912) vs. Piet Mondrian, The Flowering Apple Tree ((1912)

  7. Piet Mondrian, Flowering Apple Tree (1912) vs. PietMondrian,Composition No. 2 (1914)

  8. PietMondrian, Pier and Ocean,1914

  9. The Courtgard of 26 rue du Départ, Paris vs. PietMondrian’s Paris Studio in1926

  10. André Kertéze, Photograph of Mondrian’s Studio (1926)

  11. Piet Mondrian, Composition with Red, Yellow, Blue, and Black (1921) vs. Piet Mondrian, Composition (1921)

  12. Piet Mondrian, Composition in Red, Blue and Yellow (1930) vs.Kazimir Malevich, Black Square (1929)

  13. Piet Mondrian, Lozenge Composition with Yellow, Black, Blue, Red, and Gray (1921)

  14. Piet Mondrian, Broadway Boogie Woogie (1942-43)

  15. Piet Mondrian, Broadway Boogie Woogie (1942-43)

  16. Piet Mondrian, Broadway Boogie Woogie (1942-43)vs.Piet Mondrian, New York City (1941-42)

  17. Arnold Newman, Mondrian in His New York Studio, 1946 vs. Mondrian in His New York Studio, 1942-43

  18. Piet Mondrian, Broadway Boogie Woogie (1942-43)vs.Piet Mondrian, Composition in Red, Blue and Yellow (1930)

  19. Theo van Doesburg, Abstraction of a Cow (1917)

  20. Theo van Doesburg, Simultaneous Counter Composition (1929) vs. Piet Mondrian, Composition in Red, Blue and Yellow (1930)

  21. Gerrit Rietveld, Schroeder House, Utrech (1925)

  22. 第一次世界大戰之後的法國：戰後的秩序重建與現代性第一次世界大戰之後的法國：戰後的秩序重建與現代性 劉瑞琪

  23. WWI之後的法國 • “call to order” • “reconstruction” • 自然主義的繪畫在巴黎重新出現 • Purism （純粹主義）

  24. Pablo Picasso, Three Women at the Spring (1921)

  25. Pablo Picasso, Mother and Child (1922) vs. Pablo Picasso, Mother and Child (1921)

  26. Pablo Picasso, Three Women at the Spring (1921) vs. V. F. Léger, Mother and Child (1922)

  27. Picasso, Seated Harlequin (1923) vs. Gino Severini, The Two Punchinellos (1922)

  28. André de Segonzac, Still Life with Eggs (1921) vs. Pablo Picasso, Glass and Bottle ofSuze(1912)

  29. Constantin Brancusi, The Kiss (1907-08) vs. Constantin Brancusi, Adzm and Eve (1916-21)

  30. Constantin Brancusi, The Newborn (1920) vs. Constantin Brancusi, The Newborn I (1920)

  31. Cover of L’Esprit Nouveau vs.Charles-ÉdouardJeanneret, Still-life with Pile of Plates (1920)

  32. Paintings by Charles-ÉdouardJeanneret and vs. Charles-ÉdouardJeanneret, Still-life with Amédée Ozenfant, L’Esprit Nouveau, no. 17, Pile of Plates (1920) p. 1993, 1922.

  33. Paintings by Charles-ÉdouardJeanneret and vs. Amédee Ozenfant, Glasses and Bottles Amédée Ozenfant, L’Esprit Nouveau, no. 17, (1922-26) p. 1993, 1922.

More Related