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The Dark Romantics Gothic Literature. 1760-1820…and beyond. “Can we speak of ‘ghosts’ without transforming the whole world and ourselves, too, into phantoms?”. Jean-Michale Rebaté. The Origins of the term Gothic (“Gothick”). Gothic
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The Dark RomanticsGothic Literature 1760-1820…and beyond
“Can we speak of ‘ghosts’ without transforming the whole world and ourselves, too, into phantoms?” Jean-Michale Rebaté
The Origins of the term Gothic (“Gothick”) • Gothic • Originally referred to the northern Gothic tribes that invaded Europe in the 4th, 5th, and 6th centuries • Later applied to Renaissance architecture (critics thought the style originated with the Gothic tribe) • Was considered ugly, barbaric, archaic
Gothic Architecture • First Gothic Cathedral build in 1144 • Gargoyles (originally for religious buildings) • Vaulted ceilings • Structural ribbing (skeletal) • Stained glass
Art Influences “The Nightmare”Johann Heinrick Fuseli
The Beginning • 1764- Horace Walpole publishes The Castle of Otranto: A Gothic Story anonymously • Contains essentially all the elements associated with the genre • Best-seller • Had remodeled his home in “Gothick” style • Said that the inspiration of his story was a dream that was so haunting, he had to write it down
Elements of Gothic Literature • 1. Setting • Action takes place in or around an old castle • Seems abandoned, or broken down • Has secret passages, doors, rooms • Usually very large, but seems claustrophobic
Elements of Gothic Literature • 2. An atmosphere of mystery or suspense • Feeling of being threatened or fearful • Plot is built around a mystery (such as unknown parentage, a disappearance, or some other inexplicable event) • This is achieved by the next three elements…
Elements of Gothic Literature • 3. An ancient prophecy • Usually connected with the castle or its inhabitants • Obscure, partial, or confusing • The characters struggle to understand
Elements of Gothic Literature • 4. Omens, visions • Character may have a disturbing dream/vision • Some phenomenon may be seen as an omen of coming events • If the statue of the lord of the manor falls over, it may predict his death
Elements of Gothic Literature • 5. Supernatural or otherwise inexplicable events • Dramatic or amazing events occur • Such as ghosts or giants, or inanimate objects (such as a suit of armor or painting) coming to life • In some works, the events are ultimately given a natural explanation, while in others the events are truly supernatural
Elements of Gothic Literature • 6. High, overwrought emotion • Narration may be highly sentimental • Characters are often overcome by anger, sorrow, surprise, and especially, terror. • Suffer from raw nerves and a feelings of impending doom • Crying and emotional speeches are frequent • Breathlessness and panic are common
Elements of Gothic Literature • 7. Women in distress • Female characters often face events that leave them fainting, terrified, screaming, and/or sobbing • Lonely, pensive, and oppressed heroine is often the central figure of the novel • Her sufferings are even more pronounced and the focus of attention than the other characters in the story
Elements of Gothic Literature • 8. Women threatened by a powerful, tyrannical male • One or more male characters has the power (king, lord of the manor, father, or guardian) to demand that one or more of the female characters do something intolerable • The woman may be commanded to marry someone she does not love (it may even be the powerful male himself), or commit a crime
Elements of Gothic Literature • 9. The metonymy of gloom and horror • Metonymy is a subtype of metaphor, in which something (like rain) is used to stand for something else (like sorrow). • For example, the film industry likes to use metonymy as a quick shorthand, so we often notice that it is raining in funeral scenes. • Note: that the following metonymies for "doom and gloom" all suggest some element of mystery, danger, or the supernatural…
Wind, especially howling Doors grating on rusty hinges Footsteps approaching Gusts of wind blowing out lights Characters trapped in a room Baying of dogs (or wolves) Thunder and/or lightning Rain Sighs, moans, howls Clanking chains Lights in abandoned rooms Gusts of wind blowing out lights Doors suddenly slamming shut Crazed laughter Elements of Gothic Literature
What’s Your Favorite Scary Movie • Think about a scary movie you enjoy… • What scary movies have come out recently? • Now look back at all the elements of the genre • Which ones are evident in your favorite scary movie?
Criticism • Gothic tradition has not been very highly regarded • Attracted many “big” writers: Keats, Melville, Faulkner • but it is usually not these works that are highlighted • Women also wrote in this genre • Jane Austin (Northanger Abbey), Mary Wollstonecraft Shelley (Frankenstein)
Revivals • 1897: Dracula • 1960’s: Gothic was the best-selling mass market fiction • 1970-present: Stephen King
The Master: Poe • Edgar Allan Poe is the master of gothic literature • He is famous for this use of personal tragedies, especially with women, in his work • Poe is most popular because of his mastery of fear, suspense, and
Poe’s biography • As most authors do, Poe used his personal life as motivation to write… Watch this video clip and look for the similarities between what you have read of “The Fall of the House of Usher” and his personal experiences.
Works Used • Bayer-Berenbaum, Linda. “Elements of a Gothic.” Horror. Ed. Michael Stuprich. San Diego: Greenhaven Press, 2001. 72-83. • “Door: Metal: Squeaky Metal Restroom Door in Building: Close: Slow Creak.” Sound Ideas. 2007. Unitedstreaming. 17 April 2007. http://www.unitedstreaming.com/>. • The Gothic Imagination. Ruthford: Associated University Press, Ltd., 1982. • “Gothic Architecture.” Wikipedia Online. 2005. 6 March 2005 http://en.wikipedia.org/wiki/Gothic_architecture. • Harris, Robert. “Elements of the Gothic Novel.” VirtualSalt. 2005. 6 March 2005. http://www.virtualsalt.com/gothic.htm. • Williams, Anne. “The Gothic Novel.” Horror. Ed. Michael Stuprich. San Diego: Greenhaven Press, 2001. 62-71. • Wolfreys, Julian. Victoria Haunting: Spectrality, Gothic, the Uncanny and Literature. Houndsmills: Palgrave, 2001.