1 / 19

Secondary Uses of Visual Arts in Latin America: Challenges and Opportunities

This report examines the role of Visual Arts Societies in Latin America and the Caribbean, their income sources, and their use of the back-office of other societies. It explores the need for further development of rights in the visual arts field, such as droit de suite and reprography, and suggests establishing relations with existing Rights Reproduction Organizations (RROs) to address common challenges and improve resource management.

sjames
Download Presentation

Secondary Uses of Visual Arts in Latin America: Challenges and Opportunities

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. IWC 2012 – Buenos Aires Secondary Uses of Visual Arts in Latin America Luciano Marchione SAVA

  2. 9 Visual Arts Societies in Latin America and the Caribbean • ADAVIS - Cuba • AGADU - Uruguay • APSAV - Perú • ARTEGESTIÓN - Ecuador • AUTORARTE - Venezuela • AUTVIS - Brasil • CREAIMAGEN - Chile • SAVA - Argentina • SOMAAP - México

  3. Visual arts Societies - Percentages of income according to rights (2010)

  4. Use of the back-office of other societies by Visual Arts Societies: • YES → AGADU (AGADU), AUTORARTE (SACVEN), AUTVIS (ABRAMUS) and CREAIMAGEN (SCD). • NO → ADAVIS, APSAV, ARTEGESTIÓN, SAVA, SOMAAP.

  5. Visual Arts Societies in Latin America and the Caribbean • AGADU – Uruguay / AUTOR • AUTVIS – Brasil / ABDR • CREAIMAGEN – Chile / SADEL • SAVA – Argentina / CADRA • SOMAAP – México / CeMPro

  6. Visual Arts Societies in Latin America and the Caribbean without local RRO • ADAVIS - Cuba • APSAV - Perú • ARTEGESTIÓN - Ecuador • AUTORARTE - Venezuela

  7. RROs in Latin America and the Caribbean without a VA local society • Colombia / CDR • Barbados / B-COPY • Belize / BECLA • Saint Lucia / ECCLA • Jamaica / JAMCOPY • Trinidad and Tobago / TTRRO

  8. Conclusions • VA Societies rely on primary reproduction rights. • VA Rights that need further development: droit de suite, private copy, secondary reproduction rights (reprography). • Reprography: Most VA societies don´t have the resources nor know how to collect this right themselves.

  9. Conclusions (2) • Establish relations with RROs or VA that already exist. • RROs and VA common problems: lack of legal monopolies, lobbying, financial situation, lack of staff. • Coincidences: rights managed, staff with similar capabilities. • Problems: technology, lack of group integration, lack of editors in VA. • VA: Only one IFRRO member.

More Related