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Title. CRITICAL WORKSHOP Archive and Documentary Jane Dickson. CRITICAL WORKSHOP - Archive and Documentary. Title. CRITICAL WORKSHOP - Archive and Documentary. Title. Navigating a sea of archive and documentary…. CRITICAL WORKSHOP - Archive and Documentary. Title.

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  1. Title CRITICAL WORKSHOP Archive and Documentary Jane Dickson CRITICAL WORKSHOP - Archive and Documentary

  2. Title CRITICAL WORKSHOP - Archive and Documentary

  3. Title Navigating a sea of archive and documentary… CRITICAL WORKSHOP - Archive and Documentary

  4. Title Navigating a sea of archive and documentary… Critical and selection skills CRITICAL WORKSHOP - Archive and Documentary

  5. Title Navigating a sea of archive and documentary… Critical and selection skills Research, plan and create a short documentary CRITICAL WORKSHOP - Archive and Documentary

  6. Title Man on Wire (Marsh, 2008) CRITICAL WORKSHOP - Archive and Documentary

  7. Title Iraq in Fragments (Langley, 2007; ICA Films) CRITICAL WORKSHOP - Archive and Documentary

  8. Title An Inconvenient Truth (Guggenheim, 2006; Paramount Pictures) CRITICAL WORKSHOP - Archive and Documentary

  9. Title The Lie of the Land (Dineen, 2007; Channel4) CRITICAL WORKSHOP - Archive and Documentary

  10. Title Nanook of the North, (Flaherty, 1922; Les Freres Revillon/Pathe Exchange) CRITICAL WORKSHOP - Archive and Documentary

  11. Title CRITICAL WORKSHOP - Archive and Documentary

  12. Title CRITICAL WORKSHOP - Archive and Documentary

  13. Title The Documentary Genre CRITICAL WORKSHOP - Archive and Documentary

  14. Title CRITICAL WORKSHOP - Archive and Documentary

  15. Title • Events in the films should be authentic and unstaged CRITICAL WORKSHOP - Archive and Documentary

  16. Title • Events in the films should be authentic and unstaged • That the world depicted is real and not imaginary CRITICAL WORKSHOP - Archive and Documentary

  17. Title • Events in the films should be authentic and unstaged • That the world depicted is real and not imaginary • That the filmmaker is simply observing and • recording events CRITICAL WORKSHOP - Archive and Documentary

  18. Title L’Arrivee d’un Train a la Ciotat (Lumiere Brothers, 1885)) CRITICAL WORKSHOP - Archive and Documentary

  19. Title Moana (Flaherty, 1926; Paramount Pictures) CRITICAL WORKSHOP - Archive and Documentary

  20. Title ‘The creative interpretation of actuality…’ John Grierson CRITICAL WORKSHOP - Archive and Documentary

  21. Title Selection and Construction CRITICAL WORKSHOP - Archive and Documentary

  22. Title Deutsche Wochenschau (1944; Imperial War Museum) CRITICAL WORKSHOP - Archive and Documentary

  23. Title * Institution - who made the film and why * Selection of archive * Technological considerations * Editing * Music * Commentary * Sound effects * What is shown * What isn’t shown * Audience expectations * Faking and Improvers CRITICAL WORKSHOP - Archive and Documentary

  24. Title The Battle of the Somme (1916; Imperial War Museum) CRITICAL WORKSHOP - Archive and Documentary

  25. Title The Battle of the Somme (1916; Imperial War Museum) CRITICAL WORKSHOP - Archive and Documentary

  26. Title The Battle of the Somme (1916; Imperial War Museum) CRITICAL WORKSHOP - Archive and Documentary

  27. Title The Battle of the Somme (1916; Imperial War Museum) CRITICAL WORKSHOP - Archive and Documentary

  28. Title The Battle of the Somme (1916; Imperial War Museum) CRITICAL WORKSHOP - Archive and Documentary

  29. Title The Battle of the Somme (1916; Imperial War Museum) CRITICAL WORKSHOP - Archive and Documentary

  30. Title The Battle of the Somme (1916; Imperial War Museum) CRITICAL WORKSHOP - Archive and Documentary

  31. Title The Battle of the Somme (1916; Imperial War Museum) CRITICAL WORKSHOP - Archive and Documentary

  32. Title The Task * A very patriotic documentary two months after the attack. You wish to encourage belief that the events of that day would help shorten the war. * You are a pacifist film maker who wishes to show the pointlessness of the attack. * A documentary for Channel Four showing the strategic importance of the 1st July attack. CRITICAL WORKSHOP - Archive and Documentary

  33. Title Research CRITICAL WORKSHOP - Archive and Documentary

  34. Title Research Moving Images CRITICAL WORKSHOP - Archive and Documentary

  35. Title Research Moving Images Music CRITICAL WORKSHOP - Archive and Documentary

  36. Title Research Moving Images Music Script CRITICAL WORKSHOP - Archive and Documentary

  37. Title Title The Task * A very patriotic documentary two months after the attack. You wish to encourage belief that the events of that day would help shorten the war. * You are a pacifist film maker who wishes to show the pointlessness of the attack. * A documentary for Channel Four showing the strategic importance of the 1st July attack. CRITICAL WORKSHOP - Archive and Documentary CRITICAL WORKSHOP - Archive and Documentary

  38. Title • What critical questions did you ask of the material? • Did you have enough material? • What questions should people be asking • of your documentary? CRITICAL WORKSHOP - Archive and Documentary

  39. Title Thank you jane@filmeducation.org CRITICAL WORKSHOP - Archive and Documentary

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