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Computação Musical: taxonomia

Dive into Stephen Pope's taxonomy proposal in the world of Music, Computing, and their interplay. Explore music theory, composition, performance, acoustic nuances, psychoacoustics, and more. Understand algorithmic composition, digital sound synthesis, hardware support for music tools, and the role of computers in music education. Discover a comprehensive framework that delves into the complexity and depth of musical expression in the digital age.

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Computação Musical: taxonomia

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  1. Computação Musical: taxonomia Proposta por Stephen Pope

  2. Taxonomia 1. Music theory, composition, and performance 1.1. Music theory, sociology, and aesthetics 1.2. Composition of electroacoustic music 1.3. Algorithmic and computer-aided composition 1.4. Performance situations and interfaces 2. Musical acoustics, psychoacoustics, perception, and cognition 2.1. Musical acoustics and psychoacoustics 2.2. Music perception and psychology 2.3. Music understanding and cognition

  3. Taxonomia 3. Musical signal and event representation and notation 3.1. Models of signals and events 3.2. Musical event description languages 3.3. Musical signal description languages 3.4. Music notation and printing tools 4. Digital control and sound signal synthesis and processing 4.1. Sound synthesis methods 4.2. Time- and frequency-domain signal processing 4.3. Sound spatialization and localization 4.4. Machine recognition of signals and events 4.5. Real-time processing and scheduling 4.6. MIDI and control processing

  4. Taxonomia 5. Hardware support for computer music instruments and tools 5.1. Hardware for DSP and digital audio 5.2. Computer music workstations 5.2. Input/Output devices for music 6. Computers in music education, and computer music education 6.1. Computers in music education 6.2. Computer music education

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