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ProHD the solution for Professionals

ProHD the solution for Professionals. ProHD is the universal tool Economical Flexible Future Proof. Semir Nouri European Product Manager Creation Products. General information HD Formats, Standards Techniques. Why Progressive HD?.

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ProHD the solution for Professionals

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  1. ProHD the solution for Professionals ProHD is the universal tool Economical Flexible Future Proof Semir Nouri European Product Manager Creation Products

  2. General information HD Formats, Standards Techniques

  3. Why Progressive HD? Is HD 720p a big improvement? We already have 625 lines in PAL! Wouldn’t 1080i be better? Doesn’t it offer more resolution? 1080i 720p 576i (PAL) = ?

  4. Comparison of Progressive and Interlace Progressive Interlaced Effect on moving objects

  5. Overall Conclusion? 576i has around 400 lines of vertical resolution 1080i offers around 780 lines of vertical resolution 720p has 720 Lines of vertical resolution Therefore… 1080i 720p 576i (PAL) = This is not a reliable comparison

  6. A More Realistic Comparison This compares the resolution of the resulting signal Which has nothing to do with the specified pixel count 1080p 1080i  720p 576i (PAL) Comparison of Signal Resolution

  7. Why JVC Chose Progressive ? • All new displays are progressive in nature • More efficient to compress • Easier to process and convert • More economical for broadcasting • IT friendly for streaming and distribution

  8. The HDV HD Formats • Intended for Consumer Applications but usable for Professionals • Identical frame rates and Line counts as ATSC/EBU • 720p and 1080i offer visually similar Quality • Quantization is 8 Bit @ 4:2:0 like DV • MPEG-2 Compression 18~22 Mbit/s GoP 6 bzw. 12

  9. The JVC HD Strategy • Affordable HD with Professional features • Progressive Scan: • for best compatibility with new display technology • Exchangeable Lens System: • manual Focus and Zoom ideal for Professional users • MPEG-2 Compression: • for high efficiency and economical Storage and Editing solutions • Tapeless Solution: • for fast and reliable editing workflow • Complete Product Family: • to cater for every need and budget • Strategic Partnerships for a complete solution • Tape-less Workflow Solutions • Editing Solutions • Archiving Solutions • Wireless HD Links • Battery Options • Lens Adaptations

  10. The Compact Shoulder Camcorder GY-HD100Our Most successful Product ever

  11. ProHD the most successful product Line ever launched • Many Satisfied Customers, Many great Projects • Claude Lelouch in France • “Karger” Ö-Film, Germany • My Boy “011Films” in Spain Italy and Morocco • And many More

  12. ProHD the most successful product Line ever launched • This is a testimonial of flexibility and Robustness

  13. The ProHD Family is growing

  14. The Products; GY-HD200/201 Product Features : • Exchangeable lens (Fujinon 16x) • 3-CCD HD 1/3" - in 16:9 Format Improved CCD Front end • High Definition Images, New advanced Super Encoder 5 MPEG-2 encoder • HDV and DV PAL in one Camcorder • 60p, 50p, 24p / 25p / 30p recording on miniDV Tape @ 19,7 Mbit/s • Output in 720p with 50p and 60p also in 1080i with 50i and 60i • TC Sync over Firewire • Image Upside Down function for Cinema adapters • LCD mirror mode • Focus Assist Effect Adjust Function • 2 Audio XLR connectors • Compact, ergonomically designed • Easy Focusing with « Focus Assist» • Optional adapter for 1/2" lenses  • Available versions: • HD200E without DV/HDV input incl. 16x lens: € 6750,-- + vat. • HD201E with DV/HDV input incl. 16x lens : € 7350,-- +vat. * with optional Hard disk recorder DR-HD100 JVC GY-HD200 TM HDV and HDV logo are trademarks of Sony Corporation and Victor Company ofJapan, Limited (JVC)

  15. The Products; GY-HD251E Product Features : • Exchangeable lens (Fujinon 16x) • 3-CCD HD 1/3" - in 16:9 Format Improved CCD Front end • High Definition Images, New advanced Super Encoder 5 MPEG-2 encoder • HDV and DV PAL in one Camcorder • 60p, 50p, 24p / 25p / 30p recording on miniDV Tape @ 19,7 Mbit/s • Output in 720p with 50p and 60p also in 1080i with 50i and 60i • TC Sync over Firewire • TC in and TC out over BNC • HDSDI out with Embedded Audio (!) • GENLOCK input • Image Upside Down function for Cinema adapters • LCD mirror mode • Focus Assist Effect Adjust Function • Optional Studio Adapter with 26 pin compatible with RMP-210 • IDX V-Mount for longer battery life • Improved Audio indicators • 2 Audio XLR connectors • Compact, ergonomically designed • Easy Focusing with « Focus Assist» • Optional adapter for 1/2" lenses  • Available versions: • GY-HD251E only with DV/HDV input incl. 16x lens : € 9450,-- +vat. • GY-HD251CHE only with DV/HDV input incl. 16x lens : € 8950,-- +vat. * with optional Hard disk recorder DR-HD100 JVC GY-HD251 TM HDV and HDV logo are trademarks of Sony Corporation and Victor Company ofJapan, Limited (JVC)

  16. New Features You Wanted…we Listened • Full 50 and 60 Frames per second recording: • Smooth motion for sports and action-rich scenes • High quality Slow motion with full resolution images • HDSDI output -> user benefits: • End to end digital quality, no signal degradation even with longer cables e.g. with CCUs • Embedded Audio and Time Code for single cable signal transfer…One wire is enough • Low latency output signal << 1 frame ideal for live events where lip-sync is important • Expand System compatibility with several output signal options: • 720p native, 1080i cross converted, 576i PAL down converted • Genlock input -> user benefits: • Synchronize 2 or more cameras in the studio and feed the signal to a mixer or switcher • Live event applications with low latency and several cameras • Time Code inputs and outputs -> user benefits: • Get identical time code for 2 or more cameras in a shoot. • Multi-Angle shoots with 2 or more cameras are now easy to synchronize in the editing system • Easy synchronization of 2 cameras for 3D applications • Works in SD and HD, so the benefit is available in all modes • Other enhancements: • Image flip; use inexpensive cinema adapters like red rock micro • 3 settings for Focus assist; Adjust the level according to scene content, get more precise focusing

  17. Workflow Solutions

  18. GY-HD251E Acquisition System Example GY-HD250 NLE 1080i DR-HD100 IEEE1394 720p DV cable DV cable SD (Output signal is NLE dependant) Recording format 720p 60(HDV) 720p 50(HDV) 720p 24(HDV) 576i 50(DV:GY-HD251E) 576i 25(DV:GY-HD251E) HDV/DV DV cable Tape BR-HD50 BR-HD50

  19. Now Shipping and new firmware is available with Apple Quicktime support Extra Hard Drive for Tapelss Workflow By recording on a hard drive recording times much longer than 60 min can be achieved. The Direct To Edit (DTE) Technology saves time because it allows direct access to clips recorded on the hard drive. Editing on the external drive is also possible. Recording on two media also increases safety against loss of footage. Loop recording, time lapse and other features increase productivity. The hard drive recorder is available in a a 40GB and a 80GB version. 40 GB = 3h DV, 4h20 min HDV 80 GB = 6h DV, 8h30min HDV

  20. Today: Disk-Based Produktion Workflow Dual Media Acquisition Disk + Tape DTE Direct To Edit, no Transfer/Conversion times Long recording times >8h per disk HD: MPEG Transport Stream (.ts) HD: MPEG Quicktime (.mov) 1394 HD: ….. 1394 Disk DR-HD100 DV: .avi-1 and .avi-2 DV: .Quicktime DV (.mov) DV: .omf DV: More formats incl. mxf

  21. GY-HD251E Multi-Camera Acquisition System GY-HD250 Genlock/ Time code NLE 1080i 720p Tape SD (Output signal is NLE dependant) GY-HD250 HDV/DV DV cable Recording format 720p 60(HDV) 720p 50(HDV) 720p 24(HDV) 576i 50(DV:GY-HD251E) 576i 25(DV:GY-HD251E) Tape BR-HD50 BR-HD50

  22. GY-HD251 HD Studio System Marshall V-R70 Headset GY-HD250/KA-HD250 HD SDI Marshall V-R70 Headset HD Live Switcher GY-HD250/KA-HD250 Component HD SDI Headset RM-P210 Control Monitoring Control House Sync Headset

  23. More ProHDAdvantages • Advantages of low bit rate signals based on HDV • Less storage capacity is needed per hour • Economical archiving • Longer recording times on any given media • User friendly operation • IT Communication channel friendly • Use: Microwave, Wimax, DSL…for transfer • Native workflow easier to achieve • Shoot, Transfer, Edit and Archive without ever changing the codec

  24. Accessories

  25. ProHD Concept HDV Wireless Solution

  26. Film Prime Lenses and ProHD This adapter allows the use of Film prime lenses. Changing the focus and depth of field properties as available in film are possible. In a dialogs the speaking person can be put in focus Optional Adaptation with P&S Mini35 for ProHD Price ~€ 8000.– without Lens

  27. ProHD 1/3“ Lenses for All ProHD Cameras • Canon KT20X5BKRS • Price € 9 600.-- • Fujinon HTS18X4.2BRMM48 • Price € 12 100.— • Fujinon TH17X5BRM-29 • Price € 3 200.-- • Fujinon TH17X5BMD-D29 • Price € 4 100.-- • Fujinon TH13X3.5BRMU • Price € 8 500.--

  28. More 3rd Party Accessories for Creation • New Photo Lens Adapters: • Zoerk Leica and Nikon adapters (www.zoerk.com) • Zoerk Nikon Adapter ZO-HD-ADAPT-NIK, € 250.-- • Zoerk Leica Adapter ZO-HD-ADAPT-LEI, € 300.– • Coming soon tilt lens adaptation

  29. Future Solutions

  30. Analog GY-HD251 HD Studio System Headset VF-P700 GY-HD250/KA-HD250 RM-LP25 RM-LP25 VF-P700 Headset GY-HD250/KA-HD250 Control Multi-Core cable Headset RM-HP250 Control Component HD Live Switcher Control House Sync Headset

  31. Analog GY-HD251 HD Studio System Headset VF-P700 GY-HD250/KA-HD250 RM-LP25 RM-LP25 VF-P700 Headset GY-HD250/KA-HD250 Control Super Multi-Core cable HD Live Switcher Headset RM-HP250 Control SDI/HDSDI SDI/HDSDI Control House Sync Headset

  32. DT-V24L1D(HD-SDI) DT-V20L1D(HD-SDI) Professional Studio Monitors 24” 20” • Designed for Broadcast, Electronic Cinema and Post-Production applications. • Native 1920x1080 24” wide-screen LCD panel (DT-V24L1) • Built-in Analog and HD-SDI / SD-SDI inputs 1080p 24/24SF support and embedded audio • DVI-D input with HDCP, HDMI compatible • Professional rotary-type and direct function image controls • Blue Check, Color Off, Area Markers and other professional features • One-piece space saving design • Multiple Remote Control capabilities • Rack Mountable (DT-V20L1)

  33. 24inch-Wide 20inch-Wide “DT-VXXL1D”　seriesBasic Specification 1080/50P 60P native FHD（DVI-input） for HD Editing use and Class No.1 High-Performance Line-Up 【 General Specifications 】 World first premium!! Gold BNC connector for 24inch and both SDI!! 【 Optional Parts 】 ★: Studying

  34. DT-V24L1D Professional Multi-Format 24” Studio Monitor The Ultimate High-Definition Studio Display

  35. Thank you ! Q&A

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