1 / 12

FILM NOIR

FILM NOIR. Stylistics, Codes & Conventions. Film Noir: Cinematography 1. Film Noir cinematography is often distorted, skewed and uncomfortable to look at, to put the viewer at unease. This reflects the tone of noir. Low & High Angles. Film Noir: Cinematography 2. Extreme Close Ups

tahirah
Download Presentation

FILM NOIR

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. FILM NOIR Stylistics, Codes & Conventions

  2. Film Noir: Cinematography 1 Film Noir cinematography is often distorted, skewed and uncomfortable to look at, to put the viewer at unease. This reflects the tone of noir. • Low & High Angles

  3. Film Noir: Cinematography 2 • Extreme Close Ups • Deep Focus (depth of field)

  4. Film Noir: Cinematography 2 • Reflections, views & faces obscured through objects • Use of Dutch tilts or irregular framing of shots

  5. Film Noir: Mise-En-Scene 1 Film noir locations used the everyday urban settings to make what was happening seem even more real to the viewer. Moved from crime movies only happening at the wrong end of town and dodgy areas to everyday locations. • Rain and damp streets

  6. Film Noir: Mise-En-Scene 2 • Low Key Lighting (Chiarascuro) Use of venetian blinds • High contrast images. Dark blacks & whites (few greys).

  7. Film Noir: Mise-En-Scene 3 • Everyday urban locations • Downbeat hero often downbeat performances & scruffy

  8. Film Noir: Sound Film Noir sound was used to complement the feeling of pessimism and foreboding that was reflected in the films. • Melancholy downbeat music (Jazz) • Heavy breathing • Use of quiet and silence • Often discordant and grating music • Sudden noises • Voice over of protagonist • Sound effects and ambience of the city & suburbia

  9. Film Noir: Editing Film Noir editing follows many of the traditional crime characteristics but they are generally told non linearly. • Non –linear start at the end, then tell story in flashbacks • Often shot day for night using filters. Cheaper • Use continuity editing generally. Some montage • Can and did use jump cuts and jarring juxtaposition • Occasional use of CU then move out to reveal action

  10. Crooks Amnesia Black widow Psychological Heists Double Crosses Gangsters Sin and punishment Downward spiral One wrong decision Murder Drugs Whodunnit Sexual obsession Film Noir: Narratives“Which ever way you turn, fate sticks out it’s foot to trip you up”

  11. Film Noir: Characters 1 Two Film Noirs characters that appear with regularity are the down at heel Private Eye and the deadly Femme Fetale.

  12. Detectives Sam Spade/Marlowe Gangsters Millionaires The “Fall Guy” Henchmen/Thugs Beautiful women Police Corrupt politician/govt Crooked police Film Noir: Characters 2 Film Noirs have a variety of characters but here are some that appear time and time again in film noir.

More Related