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EDITOR. DYNAMICS, HISTORY, PERSPECTIVES  OF A CULTURAL OCCUPATION Relatore: Tesi di laurea di: Chiar. mo Prof. M

UNIVERSITA’ DEGLI STUDI DI PAVIA Facoltà di Lettere e Filosofia, Scienze Politiche, Giurisprudenza, Ingegneria, Economia CORSO DI LAUREA SPECIALISTICA IN EDITORIA E COMUNICAZIONE MULTIMEDIALE. EDITOR. DYNAMICS, HISTORY, PERSPECTIVES  OF A CULTURAL OCCUPATION

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EDITOR. DYNAMICS, HISTORY, PERSPECTIVES  OF A CULTURAL OCCUPATION Relatore: Tesi di laurea di: Chiar. mo Prof. M

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  1. UNIVERSITA’ DEGLI STUDI DI PAVIAFacoltà di Lettere e Filosofia, Scienze Politiche, Giurisprudenza, Ingegneria, EconomiaCORSO DI LAUREA SPECIALISTICA IN EDITORIA E COMUNICAZIONE MULTIMEDIALE EDITOR. DYNAMICS, HISTORY, PERSPECTIVES  OF A CULTURAL OCCUPATION Relatore: Tesi di laurea di: Chiar. mo Prof. Marco Dotti Marta Perduca

  2. The italian context The 6 protagonists: Mondadori Feltrinelli RCS GEMS • Giunti De Agostini

  3. Publishing house’s structure

  4. In Italy we have many kinds of publishing houses but everywhere EDITOR plays a very important role

  5. Some words for a little history… Maxwell Perkins Erich Linder Italo Calvino

  6. EDITOR An elaborated figure. Editor’s assignments: • the review of a text with the aim to better it • the responsability of a series ok books • the control over scouts’ work • the opinion on a new, unpublished work but editor could also write

  7. To get more informations about this occupation, I realized some interviews.

  8. The interviewees answered to some questions: • who’s the editor? • can we think about a future for this occupation? • looking to the activities of the editors of the past, can we find some models for the moderns editors? • is it possible to find some examples of bad editing’s work?

  9. discretion unsaid delicacy

  10. Question n° 1: who’s the editor? “we can say that editor is a trainer, with the football language” feelings perspective of the books market

  11. Question n° 2:can we think about a future for this occupation? “recent occupation with a great future” “everyone has something to say but not all are able to do it”

  12. Question n° 3:looking to the activities of the editors of the past, can we find some models for the moderns editors? not the biggest one as Italo Calvino or Cesare Pavese but MODERN EDITORS with their daily works

  13. Question n° 4:is it possible to find some examples of bad editing’s work? someone gives directly examples but others are strictly linked to their professional confidentiality Gomorra is a case of both good and bad editing

  14. One of the interviews, the one to Francesco Forlani, now is on the internet, in Nazione Indiana website.

  15. Nazione Indiana

  16. Conclusions book is a COLLECTIVE PRODUCT as films

  17. Thanks for your attention!

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