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DO NOT GO GENTLE IN TO THA T GOODNIGHT

DO NOT GO GENTLE IN TO THA T GOODNIGHT. DYLAN THOMAS. DYLAN THOMAS. BACKGROUND.

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DO NOT GO GENTLE IN TO THA T GOODNIGHT

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  1. DO NOT GO GENTLE INTO THAT GOODNIGHT DYLAN THOMAS

  2. DYLAN THOMAS

  3. BACKGROUND • Do you know someone named "Dylan"? Chances are he was probably named (indirectly) after Dylan Thomas! Thomas's father named him after a Celtic sea god, and when the younger Thomas became famous, "Dylan" became a popular name in Britain and the U.S. • When Dylan Thomas was four years old, he was already able to recite poetry by Shakespeare. • Dylan Thomas was a colorful character; his boorish, drunken behavior and self-destructive ways were legendary. For example, some sources claim that, while driving drunk on his way to meet Charlie Chaplin, he crashed his car into Chaplin's tennis court. It's hard to sort out fact from fiction, but if he were alive today, he'd be tabloid material right up there with Tom Cruise, Paris Hilton, and Britney Spears. • A good reason you should always "enter to win": Dylan Thomas became famous after winning a poetry contest in a newspaper in 1933.

  4. SUMMARY The speaker asserts that old men at the end of their lives should resist death as strongly as they can. In fact, they should only leave this world kicking and screaming, furious that they have to die at all. At the end of the poem, we discover that the speaker has a personal stake in this issue: his own father is dying.

  5. THEME • Dying should not be accepted passively . The loss of life should be regretted and fought against until the bitter end.

  6. MOOD • Defiant –To combat or challenge death. Not to go willingly into death but the fight it with the last breath. • Fiery – spirited. Again to show that one must not die willingly but to fight death.

  7. STRUCTURE • Villanelle: Popularised mainly in France in the 16th century. It usually expresses pastoral, idyllic sentiments. • Lines: 19 • Number of stanzas: 6 • Lines in each stanza: Three lines (tercet) in the first 5 stanzas; four lines (quatrain) in the last stanza

  8. Refrains: The first and third lines of the stanza one must be repeated in the other stanzas • Line 1 on the first stanza repeated in: Stanza 2,4,6 • Line 3 of the first stanza repeated in: Stanza 3,5,6

  9. Rhyme • End Rhyme • aba in the first 5 stanza • abaa in the last stanza

  10. The speaker addresses an unknown listener, telling him not to "go gentle into that good night." Stanza 1 Do not go gentleinto that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light. Metaphor : DEATH, sunset his approaching demise. Oxymoron: ‘good death’ if one view death as not good Pun: 1. death 2. goodbye To talk furiously or wildly or deliriously Assonance A fit of violent anger

  11. Point of View: Thomas begins the poem with second-person point of view, telling his father and other readers to "fight till the last gasp," as Shakespeare said.  • go gentle: Go becomes a copulative verb, permitting the use of the adjective gentle rather than the adverb gently. • close of day: end of life • light: will to live; spirit, soul, mind; hope

  12. Stanza 2 Metaphor: night/dark compared to death. Though wise men at their end know dark is right, Because their words had forked no lightningthey Do not go gentle into that good night. Alliteration Metaphor: Lightning is compared to attention, notice--that is, their words had received no attention. , they may not have achieved everything they were capable of yet.

  13. Point of View: Thomas shifts to third-person point of view. Here he is making a declarative statement when he says wise men "do not go gentle." • right: inevitable, unavoidable; natural • forked no lightning: failed to command attention; failed to express a startling or revolutionary concept. In meteorology, "forked lightning" describes a lightning strike that divides into two or more branches resembling the roots of a plant--or, metaphorically, a fork. • they do: enjambment

  14. Stanza 3 are about to crash against the shore, or die Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay,  Rage, rage against the dying of the light. Personification: how great their actions could've been if they'd been allowed to live longer. Metaphor: compared to death Man is like a wave, death is like the breaking of the wave on the shore, the sea is like life, and the dancing waters in the ocean are like beautiful actions.

  15. Point of View: Thomas continues third-person point of view.  • Parallel Ideas: Good men has the force of wise men in the previous stanza. The message expressed in both stanzas is similar: Men facing death realize they could have done more and thus fight against the dying of the light.  • crying: weeping or shouting  • bright their: another instance of enjambment

  16. Stanza 4 the world they celebrated was slowly dissolving around them as they age and die. Wild men who caught and sang the sun in flight, And learn, too late, they grieved iton its way, Do not go gentle into that good night. Metaphor: Implied comparison of achievement to catching the fire of the sun and to singing Alliteration: sang sun; learn late

  17. Point of View: Thomas continues third-person point of view.  • Parallel Ideas: Wild men has the force of good men in Stanza 3 and wise men in Stanza 2. The message is the same as in Stanzas 2 and 3.  • Wild . . . flight: These men had their moment in the sun, so to speak. But they lived most of their lives in shadows, grieving over daily travails. Word “flight” implies the short lifespan of people living in this world. • they grieved it: dismissed it; sent it. They did not seize the moment and capture what it offered them.

  18. Stanza 5 Gravemen, near death, who see with blindingsight Blind eyes could blazelikemeteorsandbegay,  Rage, rage against the dying of the light Oxymoron Alliteration: See sight, blinding blind blaze Assonance: Blaze gay rage Simile Light-hearted, sportive, mirthful, showy and brilliant

  19. Point of View: Thomas continues third-person point of view.  • Parallel Ideas: Grave men has the force of wild men in Stanza 4, good men in Stanza 3 and wise men in Stanza 2. The message is the same as in Stanzas 2 and 3.  • Grave men: Serious men. It seems that Thomas veers close to bathos(anti-climax)here, for the words can be read as a prosaic pun.  • blinding sight: an oxymoron to convey the idea that dying men with failing eyes see with illuminating insight • blaze . . . gay: A blind man can see in other ways and even "blaze" with ideas and zest for life

  20. Stanza 6 verge of death And you, my father, there on the sad height,  Curse, blessme now with your fierce tears, I pray.  Do not go gentle into that good night.  Rage, rage against the dying of the light.  Oxymoron

  21. curse, bless: In effect, "if you cursed me, you would be blessing me." Cursing his son would show that he still has fire, spirit, the will to fight

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