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The Tempest Act 3, Scene 3

The Tempest Act 3, Scene 3. The Passage. PROSPERO Bravely the figure of this harpy hast thou Performed, my Ariel. A grace it had, devouring! Of my instruction hast thou nothing bated In what thou hadst to say; so with good life And observation strange, my meaner ministers

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The Tempest Act 3, Scene 3

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  1. The TempestAct 3, Scene 3

  2. The Passage PROSPERO • Bravely the figure of this harpy hast thou • Performed, my Ariel. A grace it had, devouring! • Of my instruction hast thou nothing bated • In what thou hadst to say; so with good life • And observation strange, my meaner ministers • Their several kinds have done. My high charms' work, • And these, mine enemies, are all knit up • In their distractions. They now are in my power, • And in these fits I leave them while I visit • Young Ferdinand (whom they suppose is drowned) • And his and mine loved darling. ARIEL • You are three men of sin, whom Destiny • (That hath to instrument this lower world, • And what is in't) the never surfeited sea • Hath caused to belch up you; and on this island, • Where man doth not inhabit, you 'mongst men, • Being most unfit to live, I have made you mad. • And even with such-like valor, men hang and drown • Their proper selves • (Alonso, Sebastian, and others draw their swords.) • You fools! I and my fellows • Are ministers of Fate. The elements • Of whom your swords are tempered may as well • Wound the loud winds, or with bemocked-at stabs • Kill the still-closing waters, as diminish • One dowl that's in my plume. My fellow ministers • Are like invulnerable; if you could hurt, • Your swords are now too massy for your strengths • And will not be uplifted. But remember, • For that's my business to you, that you three • From Milan did supplant good Prospero, • Exposed unto the sea (which hath requite it) • Him and his innocent child, for which foul deed • The powers (delaying, not forgetting) have • Incensed the seas and shores (yea, all the creatures!) • Against your peace. Thee of thy son, Alonso, • They have bereft, and do pronounce by me: • Ling'ring perdition, worse than any death • Can be at once, shall step by step attend • You and your ways; whose wraths to guard you from • (Which here, in this most desolate isle, else falls • Upon your heads) is nothing but heart's sorrow • And a clear life ensuing. • He vanishes in thunder; then, to soft music, enter the shapes again and dance with mocks and mows and carrying out the table.

  3. Questions to think about • What are your opinions of Prospero? • I.E. Is he good, or evil, does he have power, or is it just an illusion? • What does Prospero’s magic imply about the usage of power in the play? • What is the link between the ghost in this play and the other ghosts in the previous plays we have read? • What is the parallelism between Ariel’s exit with thunder and the witches entrance with thunder? • How do the spirits interact with the Human characters in the play? • What is the significance of Prospero entering the act on a balcony? • Why do you think Prospero wanted the others to think Ferdinand was dead? • What is the significance of Prospero saying he is going to “visit Young Ferdinand?” • What is the significance of Ariel calling Sebastian, Alonzo, and Antonio “three men of sin?” • Ariel seems to praise Prospero on numerous occasions, why do you think he does so?

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