1 / 10

Marlene Dumas

Marlene Dumas. ARTE344 Rachel Noteboom Sarah Ortinau Liz Gardona. South African/ Dutch Painter Is teaching college level art students in Amsterdam Duality of her identity She attended college- then worked Oil, ink, acrylic, photography and appropriation art. 3. Mostly oil on canvas

tex
Download Presentation

Marlene Dumas

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Marlene Dumas ARTE344 Rachel Noteboom Sarah Ortinau Liz Gardona

  2. South African/ Dutch Painter • Is teaching college level art students in Amsterdam • Duality of her identity • She attended college- then worked • Oil, ink, acrylic, photography and appropriation art.

  3. 3 Mostly oil on canvas and ink on paper Materials • *paintings, collages, drawings, prints installations • *Dumas paints from personal photographs Marlene Dumas, The Painter, 1994, oil on canvas, 79 x 39-1/4 in., The Museum of Modern Art, New York

  4. Ideology Received ideas of identity? “The ambiguity of representation in her paintings and drawings is ultimately a political act, enticing the viewer into an awareness of his or her role in the assignation of meaning to faces, bodies, groups, and figures.” -Rebecca Morse [MOCA Assistant Curator] Marlene Dumas, Barbie, the Original, 1997, Lithography, 66 x 50 cm

  5. Physical reality of human body • Psychological value • Removed from context Marlene Dumas, The Blindfolded Man, 2007,Oil on canvas, 39-3/8 x 35-7/16 in.

  6. Influences • Diane Arbus’s photography -complexities of the human form • Mother’s death • (weeping women) • Uses photographs of her daughter Diane Arbus, Child with Toy Hand Grenade in Central Park, New York City, 1962, Photograph

  7. Changes Over the Years • During the 90’s her work as featured images of Amsterdam and interdisciplinary projects • She also now does multiples of portraits. • She has dabbled in photography Marlene Dumas, Waterproof Mascara, 2008, Öl auf Leinwand, 100 x 90 cm

  8. Critics • considered a European artist, but wishes to beclassified as an South African Artist. Stating,“Someone once remarked that I could not be aSouth African Artist and a Dutch artist, that I could not have it both ways. I don’t want it both ways, I want it more ways.” • her art is in many international museums. Marlene Dumas, Moshekwa, 2006, Öl auf Leinwnad, 130 x 110 cm

  9. Her legacy • Her legacy is being a portrait/figurative artist • She is also known as an one of Amsterdam’s top artist • She has won countless awards internationally, and is featured in many museums

  10. Video: http://youtu.be/9oJGwiEoj84 Marlene Dumas, Mamma Roma, 2012, o/c, 30 x 24 cm

More Related