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Chapter 11: Baroque and Rocco

Chapter 11: Baroque and Rocco. 11.1The Baroque in Italy and Germany. Bernini,Ectasy of Saint Theresa, 1645. Rome. Carravagio, The supper at Emmaus. 1597. Carravagio, Deposition of Christ 1602.

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Chapter 11: Baroque and Rocco

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  1. Chapter 11: Baroque and Rocco

  2. 11.1The Baroque in Italy and Germany

  3. Bernini,Ectasy of Saint Theresa, 1645. Rome

  4. Carravagio, The supper at Emmaus. 1597

  5. Carravagio, Deposition of Christ 1602

  6. n summary, Judith, a beautiful widow and chosen by God, has used her charms to enter the tent of Holofernes, an Assyrian general out to destroy Judith's hometown. Overcome with drink, he passes out and is decapitated by Judith; his head is taken away in a basket (often carried by an elderly female servant). Artists have mainly chosen one of two possible scenes (with or without the servant): the decapitation, with Holofernes prone on the bed, or the heroine holding or carrying the head.In European art, Judith is normally accompanied by her maid at her shoulder, which helps to distinguish her from Salome, who also carries her victim's head on a silver charger (plate). However, a Northern tradition developed whereby Judith had both a maid and a charger, famously taken by Erwin Panofsky as an example of the knowledge needed in the study of iconography.For many artists as well as scholars, Judith was a character whose sexualized femininity interestingly and sometimes contradictorily combined with her masculine aggression. Judith was one of the virtuous women whom Van Beverwijck mentioned in his published apology (1639) for the superiority of women to men,[1] and a common example of the Power of Women iconographic theme in the Northern Renaissance.[edit] Artemesia Gentelischi, Judith and the Maidservant with the head of Holofernes 1625

  7. Susanna and the Elders (1610), Artemisia Gentileschi

  8. The façade was added to St. Peter’s cathedral after Michelangelo had worked on the structure

  9. Benedictine the Abbey, 1702. Austria

  10. Rococo v.Renaissance

  11. Die Wies, 1746-1754 Upper Bavaria

  12. De La Tour, Magdalen with the smoking flame. 1630

  13. Adoration of the shepherds 1645

  14. L: Poussin. Rape of the Sabine Women 1634 R: Holy Family on the Steps 1648

  15. Lorrain. The marriage of Isaac & Rebecca 1648

  16. Palace of Versailles

  17. Judith Leyster. Self-portrait.1630 & Boy with Flute. 1635

  18. Rubens, Lion Hunt. 1616

  19. Van Dyck, Portrait of Charles I hunting Dress 1635

  20. Jan Steen, The Feast of St. Nicholas. 1660-65

  21. Jacob van Ruisdael. The Mill at Wijk by Durstede. (not dated)

  22. Heem, Cornelis de - Vanitas Still-Life with Musical Instruments - after 1661

  23. Rachel Ruysch. Flower Still Life. 1782

  24. Frans Hals, Yonker Ramp and His Sweetheart. (not dated)

  25. Vermeer. Woman holding a Balance. 1664 Allegory of the Art of Painting. 1665-72

  26. Rembrandt. The Shooting Company of Captain Frans Banning Cocq(Night Watch). 1642

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