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Complex Digital Objects in Open Repositories Within the Field of Artistic Research

Complex Digital Objects in Open Repositories Within the Field of Artistic Research. Svante Kristensson, Library & Learning Resources, University of Borås Fiesole, April 14, 2012. Fast facts. Staff: 700 Students: 15007 Professors: 52 Schools: 6 PhD Students: 124 Rector: Björn Brorström

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Complex Digital Objects in Open Repositories Within the Field of Artistic Research

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  1. Complex Digital Objects in Open Repositories Within the Field of Artistic Research Svante Kristensson, Library & Learning Resources, University of Borås Fiesole, April 14, 2012

  2. Fast facts • Staff: 700 • Students: 15007 • Professors: 52 • Schools: 6 • PhD Students: 124 • Rector: BjörnBrorström • Website: www.hb.se

  3. Fields of Education • Library and Information Studies • Business and Informatics • Engineering • Behavioural and Education Sciences, mainlyTeacherTraining • Fashion and Textiles Studies • Health Sciences

  4. Research Areas • Library and Information Sciences – social media • Trade and Service Sciences • Integrated Health Care Sciences • Teacher Training and Educational Professional Training • Waste Recovery • Textile and Fashion • Smart Textiles

  5. The Swedish School of Textiles

  6. The Swedish School of Textiles

  7. Institutional Repositories • Developed for traditional, text-based publication types • Different needs for universities with Applied and Performing Arts • Exhibitions, fashion shows, performances • Photos, film, sound, mix of medias • Allocation of resources • External demands from financiers: publish open access!

  8. Library & Learning Resources

  9. The Swedish School of Textiles

  10. Conclusions from projects • Need to develop and adapt existing digital archives • Research results underdeveloped in open archives • Software needs to be developed • Need for user-friendly interface for the person depositing the research results • Important to develop better ways of displaying visual objects for the end users • Visual representation is of vital importance for researchers’ willingness to publish at all • Fear of copying or theft of ideas

  11. We must get a broader picture!

  12. References: • Andersson, Larsson & Nordling (2010) Komplexa digitala objekt i öppna arkiv inom det konstnärliga forskningsområdet • Arvidsson & Suld (2012) Konstnärlig forskning i öppna digitala arkiv • Arvidsson (2010) Utställningar, performances, filmer, foton, installationer – open access? Om konstnärlig forskning i öppna arkiv • Sheppard & White (2009) Kultur Project, Final Report • Süld & Arvidsson (2009) Modell för att hantera komplexa digitala objekt i öppna arkiv – med utgångspunkt i konst och design

  13. Thank you! • svante.kristensson@hb.se

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