第一章 導論 [ 投影片 3-2]

1. 美學 第一章　導論 [投影片3-2]

2. 第一章　導論 (p. 4) “It was a central focus of Hegel’s aesthetics to argue that even art itself (great art anyway) is implicitly philosophical, a form of ‘absolute spirit’, a form of self-reflective thinking in paint or tone rather than word or paragraph, in story rather than argument, in gesture and implicature rather than proof and demonstration.”

3. 第一章　導論 • 導論 • 美學的誕生 • 品味與審美判斷 • 藝術與經驗 • 現代的藝術定義與新媒介的問題 • 結論：藝術與真理

4. 第一章　導論 “This idea that art is aesthetics because it is in the knowledge business in some obscurely philosophical way is as old as Aristotle, who claimed that poetry is more philosophical than history because it reveals the inner workings of human action and the human soul… rather than simply telling us what happened (which is what Aristotle believed history does).”

5. 第一章　導論 “Either • art is worthwhile because it more or less delivers knowledge (in implicit form, through narrative, whatever)…” → Aristotle “or • it lacks integrity because it is willful, obscurantist, seductive, champagne fizzing before the mind, clouding its every capacity, dulling its every portal.” → Plato

6. 第一章　導論 • 導論 • 美學的誕生 • 品味與審美判斷 • 藝術與經驗 • 現代的藝術定義與新媒介的問題 • 結論：藝術與真理

7. 第一章　導論 “The point here is that there is a real question about what is at stake in thinking of art as • doing philosophical aesthetics or • some adjunct enterprise on occasion, if not always…”

8. 第一章　導論 “… and conversely there is a real problem with the philosophical measurement which requires it • (like some staff sergeant) to measure up (chin in, chest out) in this regard… or • (to) be consigned to the ranks of French perfume.”

9. 第一章　導論 • 導論 • 美學的誕生 • 品味與審美判斷 • 藝術與經驗 • 現代的藝術定義與新媒介的問題 • 結論：藝術與真理

10. 第一章　導論 美學的遊戲不同的玩法 • 在哲學之內or在哲學之外 • 在藝術之內or在藝術之外 在藝術之內，就是藝術家自己用理論表述藝術是什麼 • El Lizzitsky (1890 – 1941) 俄 • John Cage (1912 – 1992) 美 • Pierre Boulez (1925 - ) 法 • Andy Warhol (1928 – 1987) 美

11. CheGuevara

12. Andy Warhol

13. 第一章　導論 • 導論 • 美學的誕生 • 品味與審美判斷 • 藝術與經驗 • 現代的藝術定義與新媒介的問題 • 結論：藝術與真理

14. Wittgenstein

16. TheJacksons

17. Family resemblances I Item_1: A B C D Item_2: B C D E Item_3: C D E F Item_4: D E F G Item_5: E F G H Family resemblances II Item_1: A B C Item_2: B C D Item_3: A C D Item_4: A B D Family resemblances

18. 第一章　導論 • 導論 • 美學的誕生 • 品味與審美判斷 • 藝術與經驗 • 現代的藝術定義與新媒介的問題 • 結論：藝術與真理

19. 第一章　導論 “It (eighteenth century) is a moment when these methods trumped kinds of writing offered by the humanities generally, and in doing so, seemed to divorce the subject of aesthetics from its rightful place in the larger sphere of Arts and Letters.”

20. 第一章　導論 ‘essential definition’ • 本質主義（essentialism）：there must be something that makes a thing a thing • 本質（essence）：what makes a thing a thing

21. 第一章　導論 本質主義的證成 • Descartes’ wax • The blooming buzzing confusions of human experience (by William James)

22. 第一章　導論 • 18世紀：定義beauty (the beautiful)與the sublime • 19世紀：定義art “The project of philosophical definition and all that goes with it has been so central to the subject, and advanced it so far, that there would be no subject at all called aesthetics apart from this game.”