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FILM AND PHOTOGRAPHY BASICS Proxemics, Angles, Movement, Perspective

FILM AND PHOTOGRAPHY BASICS Proxemics, Angles, Movement, Perspective. BASIC VOCABULARY. FRAME : Individual photographic image SHOT: Sequence of frames COMPOSITION: Shapes, volume, and color in image SETUP: Camera placement, angle.

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FILM AND PHOTOGRAPHY BASICS Proxemics, Angles, Movement, Perspective

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  1. FILM AND PHOTOGRAPHY BASICS • Proxemics, Angles, Movement, Perspective

  2. BASIC VOCABULARY • FRAME : Individual photographic image • SHOT: Sequence of frames • COMPOSITION: Shapes, volume, and color in image • SETUP: Camera placement, angle

  3. PROXEMICS • WS / Wide Shot • EWS / Extreme Wide Shot • MS / Medium Shot • Cowboy Shot • CU / Close Up • ECU / Extreme Close Up • MCU / Medium Close UP

  4. WIDE SHOT

  5. WIDE SHOT

  6. WIDE SHOT

  7. EXTREME WIDESHOT

  8. EXTREME WIDE SHOT

  9. ESTABLISHING SHOT

  10. MEDIUM SHOT

  11. MEDIUM SHOT

  12. COWBOY SHOT

  13. COWBOY SHOT

  14. CLOSE UP

  15. CLOSE UP

  16. EXTREME CLOSE UP

  17. EXTREME CLOSE UP

  18. EXTREME CLOSE UP

  19. MEDIUM CLOSE UP

  20. Proximity • The Graduate – Beginning

  21. ANGLES • Low Angle • High Angle • Eye Level • Bird’s Eye View • Dutch Angle • Point of View (POV) • Over the Shoulder (OTS)

  22. LOW ANGLE

  23. LOW ANGLE

  24. HIGH ANGLE

  25. HIGH ANGLE

  26. High vs. Low • Pan’s Labyrinth – Chapter 2

  27. EYE LEVEL

  28. EYE LEVEL

  29. BIRD’S EYE VIEW (aerial shot)

  30. DUTCH ANGLE • Who’s afraid of Virginia Wolf 1:49:50 • Dutch Tilt: Donnie Darko 0:16:50

  31. POINT OF VIEW SHOT

  32. POINT OF VIEW SHOT

  33. POV • Halloween – 2:11 P • Evil Dead -21:40

  34. OVER THE SHOULDER SHOT

  35. OVER THE SHOULDER SHOT

  36. MOVEMENT • TILT • PAN • DOLLY • TRACKING SHOT • STEADY CAM • CRANE • HANDHELD CAMERA • CAR RIGS • AERIAL SHOTS

  37. Pan, Tilt, Dolly • Amelie - 9:00 Dolly, pan • The Graduate - Chapter 1 & 15 Zoom • Amelie - 12:58 – Crane • High Noon – Tilt

  38. STEADICAM VS.HANDHELD • The Shining – Steadicam 41:20 • Goodfellas – Steadicam • The Dark Knight - Steadicam • Saving Private Ryan – Handheld • Full Metal Jacket – Static

  39. LENS PERSPECTIVE • DEEP FOCUS • SHALLOW FOCUS • RACK FOCUS • WIDE ANGLE LENS • FISH EYE LENS • TELEPHOTO LENS • NORMAL LENS • ZOOM

  40. DEEP FOCUS

  41. SHALLOW FOCUS

  42. SHALLOW FOCUS

  43. FISHEYE LENS

  44. WIDE ANGLE LENS

  45. TELEPHOTO LENS

  46. LENS Telephoto: • The Graduate – Chapter 9 • Wayne’s World 2 – Graduate Spoof • Dolly Zoom • Thriller

  47. RACK FOCUS • The Graduate – Chapter 4

  48. FORM VS. STRUCTURE • FORM: Everything except for narrative decisions. Includes lighting, editing, movement, etc. • STRUCTURE: Plot, Narrative

  49. FRAMING • Headroom • Eyeroom • Compositional Stress

  50. HEADROOM

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