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Illustrating movement has always been an important component of visual art. lascaux. Sassetta meeting of St anthony and St paul. Repeating figures : Having the same figure more than once in a composition creates the illusion of movement, and also a suggestion of time lapse, as well.
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Illustrating movement has always been an important component of visual art • lascaux
Sassetta meeting of St anthony and St paul Repeating figures: Having the same figure more than once in a composition creates the illusion of movement, and also a suggestion of time lapse, as well.
Repeating an element (like costume or specific color) will make it clear to the viewer that we are looking at one individual repeated. Alex Katz
Memory images: our knowledge of how the world works allows us to ‘see’ movement as it happens. Bayeux Tapestry excerpt
Exaggerated poses help contribute to the effectiveness of memory images Picasso, Guernica
Exaggerated gestures allow the viewer to ‘feel’ the movement as well as see it Robert Longo, From Men in Cities
Discus Thrower, Myron Chris Van Allsburg Timing: at what point will you depict a specific movement? Right BEFORE or AFTER an event occurs can often be more powerful than depicting the event AS it occurs
Visual Fragmentation: one object or person broken into several moving parts. GiacomoBalla, Dog on Leash
FUturisn Futurism: a 20thc Italian movement celebrating ideas associated w/ the future: speed, industry, youth, etc. What suggests this sculpture is moving? Boccioni, Unique Forms of Continuity in Space
Optical Movement: The movement of our eyes through a piece. Peter Paul Reubens
Reubensprometheus • Raphael Madonna How might composition be utilized to suggest movement? How does an illusion of movement vs/ a suggestion of stabilty change the ‘read’ of an image? Raphael, Madonna and Child vs. Rubens, Prometheus
Overlapping and Vertical Placement Duccio, Jesus opens the Eyes of a Man born Blind 1311 Limbourg Brothers, Les Tres Riche Heures (June), 1413-1416, Illuminated Manuscript
This Near Eastern Assyrian relief carving uses overlapping and vertical placement as well. Assyrian archers pursuing enemies from the Northwest Palace of Ashurnasirpal II, Kalhu (modern Nimrud) ca. 875-860 B.C.E. gypsum 2 ft. 10 3/8 in. high
Objects of the same size get smaller as they recede into the distance
The Chinese were one of the first civilizations to use Atmospheric (Aerial) Perspective. Summer Mountains, Northern Song dynasty (960–1127) 11th century, Attributed to Qu Ding (Chinese, active ca. 1023–ca. 1056) Handscroll; ink and pale color on silk17 7/8 x 45 3/8 in.
The principles of Aerial Perspective- • Objects in the foreground are: • More detailed • Larger • Darker or more intense in color
Linear Perspective – in the early 15th century Renaissance artist Filippo Brunelleschi developed this scientific method of creating perspective based on math and geometry. The Last Supper by Leonardo Da Vinci illustrates One Point Linear Perspective.
Linear Perspective happens automatically when you take a photograph. As in Aerial perspective, objects seem to get smaller as they move back in space.
There are 3 types of linear perspective: • One-Point perspective • Two-point perspective • Three-point perspective 2-point perspective 1-point perspective
Examples of one point perspective in Stanley Kubrick films http://vimeo.com/48425421
Foreshortening: shortening the lines of an object to create depth. Andrea Mantegna The Lamentation over the Dead Christ c. 1490,Tempera on canvas, 68 x 81 cm
How is depth conveyed in each of these? Left: Masaccio, Holy Trinity 1428, Fresco, Santa Maria Novella, Florence Right: Leonardo da Vinci Virgin of the Rocks 1495-1508 Oil on panel, 189.5 x 120 cm National Gallery, London
Addition of color Molly Bang