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This project delves into the relationship between tribalism and masculinity within the realm of football hooliganism. With a focus on the prevalent tribal aspects within this subculture, it also examines the representation of working-class males and their collective identity. Drawing motivation from a personal interest in sports and cognitive processes within subcultures, this investigation aims to uncover correlations between football hooliganism and tribalism. Key theoretical texts include works by Nicola Rehling and Ramon Spaaij, with the production taking the form of a video using found footage from varied sources. The timeline involves research, production, post-production, and an evaluation essay, providing a comprehensive exploration of the chosen subject matter.
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An investigation into masculinity & tribalism within Football hooliganism
Outline of Project • For this semester I will be looking into tribalism and masculinity in relation to football hooliganism • I have to idea of having a particular focus on the tribal aspects that are prevalent within the world of football hooliganism • This project will also touch on the subject areas of masculinity and the representation of working class males
Motivation for chosen project idea • I have always been interested in the field of sport • Interested in the cognitive process of the people in the subculture of football hooligaism • Looked into the area of football hooliganism at the end of second year • I felt that there could be some interesting correlations between football hooliganism and tribalism
Background Theory My key texts for this project: •“It's About Belonging”: Masculinity, Collectivity, and Community in British Hooligan Films Nicola Rehling (2011) •Men Like Us, Boys Like Them: Violence, Masculinity, and Collective Identity in Football Hooliganism Ramon Spaaij (2008) https://vimeo.com/108891490
Method of production • My mode of production is in the form of a video • Make a video using found footage located on various types of media
Project Timeline 2 April- 1 May - Post Production 12 February- 26 February - Research Period 2 May- 15 May - Evaluation Essay 26 February- 2 April - Production