1 / 14

Giotto di Bondone (c.1267-1337) “ Father of Renaissance Painting ”

Giotto di Bondone (c.1267-1337) “ Father of Renaissance Painting ”. The Madonna in Majesty (Maestà) , Cimabue, 1285-86 Tempera on panel, 385 x 223 cm Galleria degli Uffizi, Florence. Young Giotto apprenticed in the workshop of Cimabue, the great Florentine painter of the time.

waite
Download Presentation

Giotto di Bondone (c.1267-1337) “ Father of Renaissance Painting ”

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Giotto di Bondone(c.1267-1337)“Father of Renaissance Painting”

  2. The Madonna in Majesty (Maestà), Cimabue, 1285-86Tempera on panel, 385 x 223 cmGalleria degli Uffizi, Florence • Young Giotto apprenticed in the workshop of Cimabue, the great Florentine painter of the time. • When Giotto’s skill surpassed that of his master, Cimabue helped his star pupil set up his own workshop.

  3. Christ the PantocratorCathedral of Monreale, c. 1190Artist not known • Byzantine artists did not attempt to imitate reality. • Their scenes lacked depth. • There is no definite light source. • Their goal was to teach the Christian faith.

  4. Note how Cimabue’s Madonna Maestà differs from the one painted by Giotto about 25 years later.

  5. Legend of St Francis: StFrancis Giving his Mantle to a Poor Man, 1297-99Fresco, 270 x 230 cm Upper Church, San Francesco, Assisi • Giotto had probably already been to Assisi while apprenticed to Cimabue. • Some time around 1290, he returned to paint the life story of St. Francis.

  6. Scenes from the Life of the Virgin: Visitation, 1306Fresco, 150 x 140 cm Cappella Scrovegni (Arena Chapel), Padua • The fresco cycle in the Arena Chapel at Padua is considered to be Giotto’s greatest work. • It was commissioned by the richest citizen of Padua and dedicated to the Virgin Mary.

  7. Scenes from the Life of Christ: Nativity: Birth of Jesus, 1304-06, Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua

  8. No. 29 Scenes from the Life of Christ: 13. Last Supper, 1304-06, Fresco, 200 x 185 cm, Cappella Scrovegni (Arena Chapel), Padua

  9. Scenes from the Life of Christ: Lamentation (The Mourning of Christ), 1304-06, Fresco, 200 x 185 cm , Cappella Scrovegni (Arena Chapel), Padua

  10. Scenes from the Life of Christ: Lamentation (The Mourning of Christ), detail, 1304-06, Fresco, 200 x 185 cm , Cappella Scrovegni (Arena Chapel), Padua

  11. Scenes from the Life of Christ: Resurrection (Noli me tangere), 1304-06, Fresco, 200 x 185 cm, Cappella Scrovegni (Arena Chapel), Padua

  12. Last Judgment (detail), 1306, FrescoCappella Scrovegni (Arena Chapel), Padua • Giotto included a portrait of Scrovengni in his fresco of the Last Judgment. • He is shown offering the church that he has commissioned to three Marys.

  13. Scenes from the Life of Saint Francis: Death and Ascension of St Francis (detail), c. 1325, Fresco Bardi Chapel, Santa Croce, Florence

  14. Campanile de Giotto, Florence • In 1334, Giotto, as the greatest living artist, was appointed architect to the cathedral in Florence. • In the last three years of his life, he planned and began building the bell tower (campanile). • It was not finished until after his death, in 1357.

More Related