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Chapter 7 The Early Baroque Period. Style Features of Early Baroque Music. Basso continuo Ground bass Basso ostinato Functional harmony. Key Terms. Style Features of Early Baroque Music. Extravagance & emotional expression tempered by scientific inquiry and logic
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Chapter 7The Early Baroque Period Style Features of Early Baroque Music
Basso continuo Ground bass Basso ostinato Functional harmony Key Terms
Style Features of Early Baroque Music • Extravagance & emotional expression tempered by scientific inquiry and logic • Methodical use of musical elements to express emotions • Rhythm and Meter • Influence of dance rhythms • Functional Harmony • Major and minor scales • Texture: Basso Continuo • Importance of instrumental music LETS LOOK AT THESE INDIVIDUALLY
Rhythm and Meter • Baroque rhythm ranged between two extremes— • Free speech-rhythms of recitative • Vivacious regularity of dance music • Strong beat and regular meter give much Baroque music a clear rhythmic feel • Consistent repetition of patterns strengthens rhythmic feel • Different patterns appropriate for different emotions
Texture: Basso Continuo • Consistent feature of Baroque music • Similar to rhythm section in jazz or rock bands, and just as ubiquitous • Basso continuo played by: • Bass melody instruments (cello or bass) • Chording instruments (keyboard or lute) • Advantages of continuo: • Strong, reinforced bass line • Strong harmonic foundation—chording instruments continuously adds chords
Texture: Ground Bass • Ground bass = repeating bass line • Ground bass compositions build melodies and harmonies over this basso ostinato • Ostinato is a near-universal practice • Purcell, “Dido’s Lament”; Sudanese Song; Frescobaldi, Passacaglia; Elephant-Hunt Song
Functional Harmony • Relies on major and minor scales with their strong pull toward tonic • Chords formerly result of melodic thinking, polyphonic combinations of lines • In continuo-based textures, more focus on chords & chord progressions • Composers worked to construct effective chord progression over strong bass line • Resulting harmonies more predictable, purposeful—more modern!
Functional Harmony (2) • Harmony now capable of greater emotional & dramatic expression • Strong pull to tonic creates sense of stability, inevitability • At the same time, it strengthens the disruption & disorientation created by dissonances or modulations • Composers systematically create emotional states ranging between these extremes