1 / 106

Centennial Scholars Lecture Series Dr. Sue Pierson Ellingson Marisa Asmus ‘99 Anna Pletscher ‘00

What Can Be Learned From Children’s Drawings in Namibia?: A Comparison of Children’s Artistic Development Across Regions. Centennial Scholars Lecture Series Dr. Sue Pierson Ellingson Marisa Asmus ‘99 Anna Pletscher ‘00. Acknowledgements. Co-Inquirers Dr. Jim Postema

xander
Download Presentation

Centennial Scholars Lecture Series Dr. Sue Pierson Ellingson Marisa Asmus ‘99 Anna Pletscher ‘00

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. What Can Be Learned From Children’s Drawings in Namibia?: A Comparison of Children’s Artistic Development Across Regions • Centennial Scholars Lecture Series • Dr. Sue Pierson Ellingson • Marisa Asmus ‘99 • Anna Pletscher ‘00

  2. Acknowledgements • Co-Inquirers • Dr. Jim Postema • Dr. Mark Covey and Dr. Mark Krejci • Dr. Michael Wohlfeil • Dr. Dave Moewes and Ron Balko • Betty Raum • Rev. Clay Ellingson • Fulbright Scholars Program • Peace Corps/Namibia • Amy Sorenson ‘95 • Cooperating Schools

  3. What I Learned as a Centennial Scholar • True nature of co-inquirers • Stimulation and challenges of ongoing learning • Renewed love for Namibia and its children • Appreciation for interest and support of colleagues and students

  4. What I Learned as a Centennial Scholar • Appreciation for children’s art • Appreciation for the research process • Appreciation for the Namibian culture

  5. Grade Six: How I Celebrateboy, 13 years

  6. Aims of Research • Do Lowenfeld’s and Brittain’s theories about developmental stages of art hold true for the Namibian settings? • Industrialized • Nonindustrialized • What are the sources of imagery? • Local drawing conventions?

  7. Subjects and Setting • 1019 students in grades one-six in Namibian public schools • Industrialized Region • Schools in Katatura and Khomosdal • Nonindustrialized Region • rural schools

  8. Themes for Drawings • Grades One and Two: • Global Kinship: Where do you live? • Grades Three and Four: • Education: Who teaches you? Where do you Learn? • Grade Five and Six: • Fun (Games and Festivals): How do you celebrate? • See Me, Share My World, 1992

  9. Gathering the Drawings • Peace Corp Teacher Trainers and Principal in Non-Industrialized Region

  10. Gathering the Drawings • Preparing school packets for Peace Corp Teacher Trainers in Namibia

  11. Gathering the Drawings • Translator helps to show where the USA is located.

  12. Gathering the Drawings • Sixth graders inside a stick school illustrate “How I Celebrate”.

  13. Gathering the Drawings • “How I Learn” by Third Graders at a school in the Industrialized Region

  14. Gathering the Drawings • Industrialized Region: Research Assistant Lydia Katjita standing in the background of a sixth grade classroom.

  15. Setting up Shop • Co-inquirers setting up Centennial Scholars Research Headquarters

  16. The Research Process • Week One: Review of the Literature • Week Two: • Comparing Developmental Stages Theories • Developing the Code Book

  17. The Research Process • Interrater Reliability Composite Posters

  18. The Research Process • Coding the Drawings: Figure Examples

  19. The Research Process • Weeks Three and Four: Coding over 1100 drawings

  20. The Research Process • Weeks Five and Six: Data Entry • Weeks Seven and Eight: • SPSS analysis • Interpreting Results

  21. Preparing for the Presentation • Attending Power Point Inservice • Scanning Images

  22. Where in the World is Namibia?

  23. Non-Industrialized Region: Where I Live • Homestead

  24. Grade One: Where I Live • Homestead • boy, 6 years

  25. Non-Industrialized Region: Where I Live • Children posing in front of their bedroom: one of the huts in the homestead.

  26. Non-Industrialized Region: Where I Live • Concrete house-one per homestead • 2-4 rooms

  27. Grade Two: Where I Live • Homestead with fields, huts, and a concrete house in the foreground • girl, 7 years

  28. Non-Industrialized Region:Where I Go To School • Grade Three classroom

  29. Non-Industrialized Region: Where I Go To School • Classroom under the tree

  30. Non-Industrialized Region: Where I Go To School • Concrete school classroom

  31. Grade Four: Where I Go To School • Classrooms • boy, 15 years

  32. Non-Industrialized Region: Where I Go To School • Children practicing letters in the sand

  33. Non-Industrialized Region: How I Celebrate • Boys performing a traditional jumping dance

  34. Grade Six: How I Celebrate • Traditional jumping dance • boy, 15 years

  35. Industrialized Region:Where I Live • Housing • Note the three legged cooking pots

  36. Industrialized Region:Where I Live • Typical housing

  37. Industrialized Region:Where I Live • Katutura home

  38. Grade One: Where I Live • House, trucks, three-legged cooking pot • boy, 6 years

  39. Industrialized Region:Where I Go To School • Elim Primary School - Third Grade; Khomasdal • Girl hold up her drawing depicting herself with blond hair

  40. Industrialized Region:Where I Go To School • Namibia English Primary School, Katatura

  41. Grade Four: Where I Go To School • Soccer, volleyball, watering trees at school • boy, 10 years

  42. Industrialized Region:Where I Go To School • Bethold Primary School, Katatura

  43. Industrialized Region • St. Barnabas Junior Primary School teacher’s lounge, Katatura

  44. Industrialized Region • Wire car project assigned by the teacher

  45. Industrialized Region • Herero woman and house

  46. Grade Six • Herero woman and house • girl, 14 years

  47. Grade Six: How I Celebrate

  48. Grade Six: How I Celebrate • Soccer and Christmas • boy, 13 years

  49. Limitations • One drawing per child gathered • Not all children were fluent in speaking and understanding English • attempts to accommodate through research assistants • SPSS novices

  50. Limitations (continued) • Different interpretations of drawings are possible • Emphasis on visual communication • would desire more written communication about the drawings

More Related