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Hidden City

Hidden City. Molly Jenkins Zoe-Louise Dunn- Storer Bryony Moorhouse. Psychogeography. Influences from other artists. Laura Olfield Ford. Wassily Kandinsky. Walt Disney’s Fantasia. Eraserhead. Recording samples (background sounds). Creating our own sounds.

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Hidden City

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  1. Hidden City Molly Jenkins Zoe-Louise Dunn-Storer Bryony Moorhouse

  2. Psychogeography

  3. Influences from other artists Laura Olfield Ford Wassily Kandinsky Walt Disney’s Fantasia Eraserhead

  4. Recording samples (background sounds)

  5. Creating our own sounds

  6. Bringing our Composition together Flowing composition of sounds to create visualisations in the listeners imagination of the industrial past.

  7. How we would exhibit it • Composition will be played in a dark small corridor to imitate the coal mines. • Possibility of adding a coal aroma and mist. • Idea of adding lanterns or the audience carrying them.

  8. Ideas for the future • Develop this idea of adding sound into the industrial past, we could start exploring into other senses such as smell, touch and taste. • With this concept we thought that we would like the viewer to interact with the piece. • We may also create a full fanzene which could be given to the viewer as part of the exhibit. We would add photographs from the past and present into collages. • We have also been considering developing the composition into a story narrative.

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