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Hiroshi Sugimoto

Hiroshi Sugimoto. Empire State Building, Shreve Lamb & Harmon , 1997 Gelatin-silver print 58 x 47 inches Source: http://www.pbs.org/art21/slideshow/popup.php?slide=779.

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Hiroshi Sugimoto

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  1. Hiroshi Sugimoto

  2. Empire State Building, Shreve Lamb & Harmon, 1997 Gelatin-silver print58 x 47 inches Source: http://www.pbs.org/art21/slideshow/popup.php?slide=779

  3. E.U.R. Palazzo Della Civiltà Romana, Marcello Piacentini, 1998Gelatin-silver print47 x 58 3/4 inchesSource: http://www.pbs.org/art21/slideshow/popup.php?slide=760

  4. Casa Batllo, Antoni Gaudi, 1998Gelatin-silver print47 x 58 inchesSource: http://www.pbs.org/art21/slideshow/popup.php?slide=780

  5. "I am a very craft-oriented person. But at the same time, I want to make something artistic and conceptual. In general, you know, the post-modern artist never paid attention to craftsmanship. That’s something like a nineteenth-century cliché. But to me, I’m going the other way around. I really respect my craftsmanship and my hands. So even though I’ve lived in this post-modern time, I probably call myself a post-modern-experienced pre-post-modern modernist!" - Hiroshi Sugimoto

  6. Villa Savoye, Le Corbusier, 199847 x 58 inchesSource: http://www.pbs.org/art21/slideshow/?slide=782&artindex=100FirefoxHTML\Shell\Open\Command

  7. Eiffel Tower, 2000-2001Photographie noir-blanc 50.8 x 60.96 cm Source: http://www.edwardmitterrand.com/artists/Sugimoto/pages/6.html

  8. Fujisawa Municipal Gymnasium-Fumihiko Maki, 1997-2001Photographie noir-blanc 50.8 x 60.96 cm Source: http://www.edwardmitterrand.com/artists/Sugimoto/images/sugimoto_architecture_FugisawaGymnasium_72dpi_20cm.JPG

  9. World Trade Center, 1997 Source: http://web.ncf.ca/ek867/sugimoto.wtc.jpg

  10. "I developed my own style of printing. I tested many different methods- Walker Evans’s method, Ansel Adams’s method. They used different kinds of formulas and chemicals. I spent quite a lot of time studying chemicals and how to develop large-format negatives. I also developed a sense to adjust the negatives." - Hiroshi Sugimoto

  11. Galvez House Luis Barragan, 2002 Black and white photograph 24 x 20 ins. Source: http://www.coskunfineart.com/details.asp?workID=158

  12. Barragan House Source: http://img157.imageshack.us/img157/6365/barrangangm7.jpg

  13. Chapel of Notre Dame du Haut, Le Corbusier, 1998 Source: http://bp3.blogger.com/_VO1xUIlV3Bw/RhMiJwPT2nI/AAAAAAAAAHU/6f1Ke-2eKv8/s1600-h/Sugimoto1.jpg

  14. Church of Light. Tadao Ando, 1997 Source: http://bp1.blogger.com/_VO1xUIlV3Bw/RhMi1QPT2oI/AAAAAAAAAHc/NuL6XfL5P5I/s1600-h/Sugimoto2.jpg

  15. "What kind of gray tone creates these nice gray tones? And what level of grayness makes black tones, not losing the medium tones, but extremely deep black? And then, highlights should be interesting but never washed out. There’s no pure white; there are always some tones there. Even in the deepest shadow, there’s a tone which is possible to print on the silver surface, but not in a catalogue." - Hiroshi Sugimoto

  16. Rietveld Schroder House 51 x 61 cm Source: http://www.artfacts.net/exhibpics/17327.jpg

  17. Guggenheim Museum New York Source: http://bp3.blogger.com/_023w4hdG0iI/Rc9xo1U_d8I/AAAAAAAAAz4/sNRjvGm7Rok/s1600-h/02japan2.jpg

  18. Source: http://www.3ayak.org/imaj/schizophrenia13/artwork-images-423989893-168663-hiroshi-sugimoto.jpg

  19. Joe, Richard Serra Source: http://www.brianrose.com/journal/sugimoto.jpg

  20. "This is about studying the silver reactions- and the colors of the metal as silver, and the surface of ink tones. The colors of the metal...silver metal, silver colors. That makes the tones of the images so rich. I’m a great fan of this process and the colors of silver- how to make as fine tones as possible, as a silver-print maker." - Hiroshi Sugimoto

  21. Kapelle Sogn Benedetg, Peter Zumthor Source: http://www.mitterrand-cramer.com/Artists/PhotoAndArchi/images/Sugimoto_architecture_stbenedikt_72dpi_20cm.jpg

  22. Seagram Building, Mies van der Rohe Source: http://images.artnet.de/images_DE/magazine/reviews/aichinger/aichinger07-16-07-8s.jpg

  23. “Blurry series” installed at exhibition venue.

  24. End Last edited: January 20, 2009 SM4134

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