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The Work of Augusto Boal

The Work of Augusto Boal. ”An Actor Speaks Of Us, For Us, And In Us.”. Theatre is born when a human being discovers it can observe itself. The magic exists in the human being seeing itself seeing. The Stage ( The Aesthetic Space ) allows for the actor to watch him/herself ( Spect-actor ).

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The Work of Augusto Boal

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  1. The Work of Augusto Boal

  2. ”An Actor Speaks Of Us, For Us, And In Us.” Theatre is born when a human being discovers it can observe itself. The magic exists in the human being seeing itself seeing. The Stage (The Aesthetic Space) allows for the actor to watch him/herself (Spect-actor). The human being is the only creature capable of understanding the concrete in relation to the abstract (Symbolism).

  3. The Spect-Actor is Tri-Dimensional

  4. “Theatre is Two Human Beings – A Passion and a Platform” – Lope de Vega

  5. The Stage – Two Subjective Dimensions

  6. Properties of the Aesthetic Space

  7. Relationship Between The Actor & The Image Boal’s Dynamization Identification – I am that Recognition – I know someone like that Resonance – I wish I weren’t or I could be like that

  8. “Theatre is a vocation for all human beings; It is the true nature of humanity.”

  9. Theatre of The Oppressed &Forum Theatre

  10. Theatre of The Oppressed Break down the law and understand how you are capable of violating it. There are Cops in the Head, but also a Rainbow of Desire. Relive a scene in improvisation that actually happened, but which could have happened differently. Be aware of the choices. Theatre of the Oppressed mobilizes the audience. The stage is the rehearsal space for life. But there is a danger…

  11. Forum Theatre • - Theatre in the round where the • audience has the opportunity to • direct and/or join in the action • We offer to the protagonist what he/she could do differently, not what we would do • The action is frozen and an audience member takes the place of the protagonist in the improvisation The Design of the Improvisation – The protagonist chooses the cast members and composes the scenario. The characters enter into the scene, rather than start on. It is important that all the characters know their desire and their will to achieve it.

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