1 / 36

Pre-Conference Workshop – June 2007 BUILDING A NATIONAL TEAM: Theatre Education Assessment Models Robert A. Southworth

Pre-Conference Workshop – June 2007 BUILDING A NATIONAL TEAM: Theatre Education Assessment Models Robert A. Southworth, Jr., Ed.D. TCG Assessment Models Website: www.TCG.ORG/tools/education/teams/TEAMindex.cfm . National Conversation.

giza
Download Presentation

Pre-Conference Workshop – June 2007 BUILDING A NATIONAL TEAM: Theatre Education Assessment Models Robert A. Southworth

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Pre-Conference Workshop – June 2007 BUILDING A NATIONAL TEAM: Theatre Education Assessment Models Robert A. Southworth, Jr., Ed.D. TCG Assessment Models Website: www.TCG.ORG/tools/education/teams/TEAMindex.cfm

  2. National Conversation • NEED: How do theatres know they are being effective in their educational programming? • GOAL: Think creatively about the use of assessment • SOLUTION: National models are conversation vehicles

  3. New Forms of Assessment • Assessment is the process of judging the educational value of student work • Authentic assessment is the process of setting up tests that are more like "real-life” • Performance assessments are forms of testing designed to get students to demonstrate their learning through extended tasks and projects

  4. Assessment Drives Learning • Clarify the learning you value • Create assessments that reveal that learning • Use the results to improve learning • Change assessment to drive the process

  5. Example of “Test” Process Assignment: Read King Lear Assessment: Answer a multiple-choice test Result: • Good learning = student recall • Knowing = memorizing • Teaching = coverage of material • Memorizing = smart • Value = “We love it when students know the play backwards and forwards”

  6. Example of a “Performance Assessment Task” Process Assignment: Read King Lear Assessment: Rewrite the ending Result: • Good Learning = rewriting • Knowing = understanding • Teaching = helping students show their learning • Smart = Insight • Value = “We love it when students understand and can take a personal viewpoint”

  7. T.E.A.M. • Theatre Education Assessment Models • Models are complex prototypes • Physical models aid discussion • Models are transportable to theatres • Education Directors improve learning

  8. Aligning Assessments • Review theatre mission statement • Align education department program with mission • Derive your learning goals • Construct objectives • Assess what you value

  9. Education Programs • Align program goals with school standards • Set criteria for success of what you value • Create benchmark examples of student success • Handout examples at beginning for clarity

  10. Four Models for Performance Assessments

  11. I. OBSERVATION Model

  12. What is an OBSERVATION?An observation is an informal visual assessment of student learning. • What is an OBSERVATION's objective?To help the teacher see student learning in order to check on the effectiveness of instruction, to change instruction, and/or to assess student learning. • What does a good OBSERVATION accomplish?Provides immediate feedback to a teacher about student learning.

  13. Choose the “Observation” assessment when you want to… • See some but not all individual work • Check on the general progress of a group on a task • Look in depth at one student's work • Document one student's progress over time

  14. “Observation” Demographic Information • Assessment type: e.g., "Observation" • Name of Observer • Student name or alias • Theatre name and address • Name of education program • School / Teacher / Teaching Artist • Grade and section of student(s) • Date of assessment use and version

  15. Standardized “Observation” Protocol • Use precise language on what to observe • Either count the number of times the item is observed, OR, • Within a given 5-10 minute time frame, how often does it occur?

  16. Open-ended “Observation” Questions • At top of paper write open-ended question, e.g., “How does the student rehearse?” • Draw a line down the middle of your paper • In the left column put the time, or the activity • In the right column, write observations

  17. Increasing “Observation” Validity • Match your observations to what really happens • Write using language that describes what you see • Reflect on the accuracy of what you see • Pilot the instrument and Improve it

  18. Increasing “Observation” Reliability • Ask others to read your observations • Can they see what you see? • Ask others to observe with you • Change and improve your instrument • Pilot the instrument in other classrooms

  19. Increasing “Observation” Rigor • Observe things you can see • Lower the number of inferences • Use another observer • Observe over time

  20. II. SURVEY Model

  21. What is a SURVEY?"A survey is a system for collecting information from or about other people to describe, compare, or explain their knowledge, attitudes, and behavior" (Fink, 2003). • What is a SURVEY's objective?A survey's objective is to answer essential questions by asking for the opinion of a group of students or a group of audience members. • What is a good SURVEY question?A good survey question uses specific questions framed as complete sentences that are logically connected to the survey's objectives.

  22. Open-ended “Survey” Questions • Place them at the end of the survey • Use them to get at non-standardized thinking • Put lines in to make writing more clear • Limit answer space to five lines • Consider placing them on back of survey

  23. Increasing “Survey” Validity • Pilot the survey • After piloting, ask for feedback from respondents • Change the survey if they are unclear or confused • Analyze the answers and where they cluster • Change or rework the Likert Scale for clarity in answers • Change and improve your instrument over time

  24. III. PERFORMANCE TASK Model

  25. What is a PERFORMANCE TASK?A performance task requires a student to create, manipulate or rework intellectual academic content in a practical and authentic performance that demonstrates student learning. • What is a PERFORMANCE TASK's objective?To help the teacher see tangible evidence of student learning progress toward the level of standards for what students should know and be able to do. • What does a PERFORMANCE TASK accomplish?Provides immediate, tangible, and practical demonstration of student learning.

  26. Choose the “Performance Task” assessment when you want to… • Create a common performance assessment • Extend the learning into an authentic real-life task • Give students practice demonstrating their learning • See tangible evidence of student learning • Judge student learning through a rubric of what they know and can do

  27. IV. PORTFOLIO Model

  28. What is a PORTFOLIO?Portfolios are collections of student work representing a selection of performance. • What is a PORTFOLIO's objective?Portfolios are useful as a support to the new instructional objectives that emphasize the student's role in constructing understanding and the teacher's role in promoting understanding. • What does a good PORTFOLIO accomplish?A portfolio accomplishes the documentation of student achievement by containing a student's best pieces and the student's evaluation of the strengths and weaknesses of the pieces.

  29. Choose the “Portfolio” assessment when you want to… • Create a common or standardized assessment • Check on progress of a student and their work • See progress over time, e.g., pre, mid and post • See progress from drafts to final product • Document student learning

  30. RUBRICS

  31. Use Rubrics to Establish Common Language of Standards

  32. Data: Continuous Feedback • Discuss rubrics at the beginning of performance task • Refer back to rubrics for non-judgmental clarity • If needed, increase rubric use; decrease assignment length • Multiple short tasks reveal more about student learning • Multiple short tasks promote more time for feedback

  33. Use Your Data To: • Advance student accountability for achieving standards • Improve teacher instruction • Enhance conversation about effectiveness of theatre education programming • Ground outcomes in tangible numbers: e.g., 86% of students meet standards • Strengthen theatre education community values

  34. Transportable Assessment Ideas

  35. Design assessment to assess what you value • Choose models that show evidence of student learning • Require every student to achieve goals and standards • Embed assessment so that it is practical and clarifying • Use rubrics of what students will know and be able to do • Give frequent non-judgmental feedback and increase rigor • Use assessment data to learn how to improve

  36. Thank You for Joining Our Conversation!

More Related