Jonathan Swift: 1667-1745

1. Jonathan Swift: 1667-1745 • Born in Dublin, Ireland. • At 19, he is employed by Sir William Temple a powerful English statesman. • Tutors 8 year old Esther “Stella” Johnson. • Develops Ménière’s Syndrome, a disturbance of the inner ear. • 1694: Deacon and later Priest in Dublin

2. Jonathan Swift • Falls in love with Jane “Varina” Waring. • 1696: returns to Temple’s service. Temple dies in1699. Series of clerical jobs in Ireland. • 1704: Tale of the Tub: satire on corruptions in religion and learning. Also Battle of the Books, a mock-epic on the debate between Ancients and Moderns.

3. Jonathan Swift • 1707: Involved with The Tatler. Adopts pseudonym Issac Bickerstaff. • 1720: Involved with Irish causes. • 1729: A Modest Proposal • 1726: Gulliver’s Travels • 1742: establishes site for insane asylum (St. Patrick’s Hospital)

4. Satire • makes a subject appear ridiculous (may invite scorn, contempt, indignation, along with amusement) • satiric vs. comic (satire is amusing though serious; attacks an individual or a “type”; comic evokes amusement, usually through farce) • - satire looks to correct a perceived problem (comedy does not)

5. what forms of satire/comedy are with us today? • satire as intellectual (evidence of the intellect of the writer) • - how does the heroic couplet work as part of satire? • satire as corrective (it can turn the subject’s own self-centeredness against itself; only through satire can the subject be reached)

6. what forms of satire/comedy are with us today? • role of the speaker: mock-heroic (unaware of his own ridiculousness) • Mac Flecknoe = indirect satire (versus direct personal address by a competent narrator/speaker) • wit: • - suggests an element of the comic through verbal play • - wit as verbal dexterity; wit connects the intellect with the use of language

7. Literary Satire • Paints a distorted verbal picture of part of the world in order to show its true moral (as opposed to merely its physical) nature. • – May be in verse or prose form. • – Relies on an a priori agreement regarding moral behavior.

8. Literary Satire • Relies on irony, wit, and sometimes sarcasm. • 18th-Century satire: Attempts to be wise, smooth, urbane, and skeptical. • – The prose satiric tone is often harsh, sharp, and sometimes downright nasty.

9. Visual satire Ironic Iraqi dinar: presents a distorted picture in order to show true moral nature of US “interest” in Iraq. A priori moral assumption: U.S. president should NOT be affiliated with Iraqi money.

10. Types of Satire • Direct: relies on a first-person narrator (the adversarius) • – Horatian: pokes fun at human folly. More comedic, less serious. • – Juvenalian: relies on dignified denunciations. Often more politically focused. • Indirect: satiric effect is achieved through modes of presentation & representation, not direct condemnation. • • Swift combines the two types and is more • Juvenalian than Horatian. • – Relies on your ability to understand irony.

11. Types of Satire • Indirect: satiric effect is achieved through modes of presentation & representation, not direct condemnation. • Swift combines the two types and is more Juvenalian than Horatian. • – Relies on your ability to understand irony.

12. Enlightenment Principles • Objectivity • – Science is the paradigm for all true knowledge. • Right use of reason • – claims to authority grounded in reason • Reason is independent of self / context • – complex connections between reason, autonomy, and freedom.

13. Enlightenment Principles • Language is “transparent • These ideas of the Enlightenment enable the irony in 18th-century satire.

14. Irony and Sarcasm • Irony: a contradiction or incongruity between appearance and / or expectation. • Sarcasm: intentional derision, generally directed at another person, and intended to hurt. • Can jeeringly state the opposite of what is meant

15. Jonathan Swift • Was Irish. • Religious Biography • So, would this man seriously suggest eating Irish babies?

16. Swift: “A Modest Proposal” • Narrative “I” • – Self-effacing but…. “As to my own part…” (484). • Irony • – Title: is this a “modest” proposal? (485) • Language / resources • – Word choices: “breeders,” “dams” (484) • – Referenced “authorities”: Americans and Formosans

17. Swift: “A Modest Proposal” • Cannibals and savages • Sarcasm • – Moral expediency (484, 486-487) • – Rejects actual moral options (488)

18. Gulliver’s Travels, A VOYAGE TO BROBDINGNAGPart II, Chapter V The Maids of Honour often invited Glumdalclitch to their Apartments, and desired she would bring me along with her, on Purpose to have the Pleasure of seeing and touching me. They would often strip me naked from Top to Toe, and lay me at full Length in their Bosoms; wherewith I was much disgusted; because, to say the Truth, a very offensive Smell came from their Skins; which I do not mention or intend to the Disadvantage of those excellent Ladies, for whom I have all Manner of Respect; but, I conceive that my Sense was more acute in Proportion to my Littleness, and that those illustrious Persons were no more disagreeable to their Lovers, or to each other, than People of the same Quality are with us in England. And, after all, I found their natural Smell was much more supportable than when they used Perfumes, under which I immediately swooned away. I cannot forget that an intimate Friend of mine in Lilliput took the Freedom in a warm Day, when I had used a good deal of Exercise, to complain of a strong Smell about me, although I am as little faulty that way as most of my Sex: But I suppose his Faculty of Smelling was as nice with regard to me, as mine was to that of this People. Upon this point, I cannot forbear doing Justice to the Queen my Mistress, andGlumdalclitch my Nurse, whose Persons were as sweet as those of any Lady in England.

19. Chapter V contd. That which gave me most Uneasiness among these Maids of Honour, when my Nurse carried me to visit them, was to see them use me without any manner of Ceremony, like a Creature who had no sort of Consequence. For, they would strip themselves to the Skin, and put on their Smocks in my Presence, while I was placed on their Toylet directly before their naked Bodies, which, I am sure, to me was very far from being a tempting Sight, or from giving me any other emotions than those of Horror and Disgust. Their Skins appeared so coarse and uneven, so variously coloured, when I saw them near, with a Mole here and there as broad as a Trencher, and Hairs hanging from it thicker than Pack-threads, to say nothing further concerning the rest of their Persons. Neither did they at all scruple, while I was by to discharge what they had drunk, to the Quantity of at least two Hogsheads, in a Vessel that held above three Tuns. The handsomest among these Maids of Honour, a pleasant frolicksome Girl of Sixteen, would sometimes set me astride upon one of her Nipples, with many other Tricks, wherein the Reader will excuse me for not being over particular. But I was so much displeased, that I entreated Glumdalclitch to contrive some Excuse for not seeing that young Lady any more.