1 / 6

Indigenous Film

Indigenous Film. Kara Daniel CMC 200. Big 5. Topic: Indigenous Film Focus: Authenticity in Indigenous Film Methods: Discourse + Textual (comparative)

kesia
Download Presentation

Indigenous Film

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Indigenous Film Kara Daniel CMC 200

  2. Big 5 • Topic: Indigenous Film • Focus: Authenticity in Indigenous Film • Methods: Discourse + Textual (comparative) • Targets: Whale Rider (2002), Whale Rider (the book), Smoke Signals (1998), “This is What It Means to Say Phoenix, Arizona,” Critical reviews (Rottentomatoes, Metacritic, IMDb) • Goals: Is Indigenous authentic?

  3. Brief History • Global Hollywood • Ethnography • Nanook of the North (1922) • Indigenous Film

  4. Original Research 1 • Textual Analysis (Comparative?) • Compare book/short story to film • Change in elements: Narrator, characters, substance use. • Change in Themes: leaving indigenous home/culture and what does it mean to be “Native”?

  5. Original Research 2 • Discourse Analysis • Critical reviews online • “comedy” • Actors/Actresses are the focus • “break stereotypes”

  6. Authentic? • TBA • Semantics are the big issue of this paper— • Yes Indigenous film may be more authentic, that is not the goal so that should not be the way they are read. • Film = Art • Should we expect movies to educate us is big question.

More Related