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Staging the visual experience as a dialogical proces

Staging the visual experience as a dialogical proces. An empirical work in progress on children’s bodily perceptions and responses to art Ingelise Flensborg September 2009. hypotheses. 1) We can learn to structure the non-verbal communicationprocess

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Staging the visual experience as a dialogical proces

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  1. Staging the visual experience as a dialogical proces An empirical work in progress on children’s bodily perceptions and responses to art Ingelise Flensborg September 2009

  2. hypotheses • 1) We can learn to structure the non-verbal communicationprocess • 2) The communication is at its best in face to face relations when a process of inter-subjectivity is obtained How do we structure and observe the communicational process? When are the intersubjective situation established?

  3. Time • Attrack attention • Direct attention • Create space • Hold space • Break space

  4. creation of communicative spaces A first visit to an art museum • Individual attention • Mutual attention • Intersubjectivity • Jensen and Bech Kjeldsen,2007

  5. Individuel attention

  6. Mutual attention

  7. Tableau vivant

  8. The communicative space is a ‘situated’ situation which stems from from the face to face interaction and is constituted through a common attention to relations that either socially, communicatively, psychologically, emotionally or psychically, will create a possibility for intersubjectivity (Jensen og Beck Kjeldsen,2007) • The intersubjectivity is established when two or more persons through empathy see and re-cognize each other while they are observing a common third (here the artwork)

  9. The end

  10. Different actors

  11. Different actors continued

  12. Museum-rituals established

  13. Failure in creating and holding space

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