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Art History: Impressionism to Early Modernism (AHIS 206-Winter)

Art History: Impressionism to Early Modernism (AHIS 206-Winter). Tuesdays, 6:30-9:30 Instructor, Danielle Hogan Email: hogan_danielle @shaw.ca. Futurism. Abstract Speed + Sound 1913–1914 Giacomo Balla. Dynamism of a Dog on a Leash 1912 Giacomo Balla.

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Art History: Impressionism to Early Modernism (AHIS 206-Winter)

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  1. Art History: Impressionism to Early Modernism (AHIS 206-Winter) Tuesdays, 6:30-9:30 Instructor, Danielle Hogan Email: hogan_danielle @shaw.ca

  2. Futurism

  3. Abstract Speed + Sound 1913–1914 Giacomo Balla

  4. Dynamism of a Dog on a Leash 1912 Giacomo Balla

  5. Omaggio a Betuda Futurista1915Carlo Carrà

  6. Interventionist Demonstration 1914Carlo Carrà

  7. Funeral of the Anarchist Galli 1911Carlo Carrà

  8. The City Rises 1910 Umberto Boccioni

  9. The Development of a Bottle in Space 1913 Umberto Boccioni

  10. Unique Forms of Continuity in Space 1913 Umberto Boccioni

  11. Unique Forms of Continuity in Space on the 20 cent euro coin Umberto Boccioni

  12. Vorticism

  13. Planners: Happy Day 1912-3Wyndham LewisPen, gouache and pencil on papersupport: 311 x 381 mm

  14. Two Mechanics circa 1912Wyndham Lewis

  15. Composition 1913Wyndham Lewis

  16. Workshop circa 1914-5Wyndham Lewis

  17. Vorticist Composition 1915Wyndham Lewis

  18. Russian Avant-Guard

  19. "On White II“ 1923 Wassily Kandinsky

  20. Kandinsky and Blue Rider Der Blaue Reiter 1903 Wassily Kandinsky

  21. 1908-1914From 1908 on, Kandinsky’s painting ceased to be that of a dilettante, making its way towards an invention that would prove determinant for the history of painting: abstraction. Supported by a theoretical basis, the works of this period moved further and further away from reality, and, to the question that he formulated in one of his texts – “what must replace the object?” – Kandinsky replied with the impact of colours and lines.-Centre George Pompidou

  22. The Garden of Love (Improvisation Number 27), 1912Wassily Kandinsky Oil on canvas

  23. Kandinsky at the Bauhaus 1922-33 Decisive Rose 1932 Wassily Kandinsky

  24. 1922-33: BauhausIn 1921, Kandinsky was director of the physical-psychological department of the Russian Academy of Artistic Sciences, a structure set up after the revolution. With the artistic climate deteriorating, an official mission to Germany offered him the opportunity to flee his country. A teaching position at the Bauhaus enabled him to pursue his work, even though his position as an abstract painter, in a school that was moving closer and closer to industry, was contested.

  25. Point LinePlane

  26. Contrasting Sounds 1924 Oil on cardboard, 70x49.5cm Wassily Kandinsky

  27. Composition VIII1923 Oil on canvas, 140 x 201 cm Wassily Kandinsky

  28. Yellow, Red, Blue 1925 Wassily Kandinsky

  29. In the Blue 1925 Oil on board, 80 x 110 cm Wassily Kandinsky

  30. 1934-44: ParisIn Paris, where he spent the last eleven years of his life, Kandinsky painted and drew prolifically, putting together an important body of work in which the common factor is the inspiration of images from biology, forms resembling embryos, larvae or invertebrates, a minuscule population embodying the living.

  31. Composition X1939 Oil on canvas, 130 x 195 cm Wassily Kandinsky

  32. Landscape 47 1912 Natalia Goncharova

  33. The Cyclist 1913 Natalia Goncharova

  34. Rayonism, Blue-Green Forest 1913 Natalia Goncharova

  35. Rayonism, Blue-Green Forest 1915 Mikhail Larionov

  36. Beat the Whites With the Red Wedge, lithograph 1919 El Lissitzky

  37. Dance. An Objectless Composition 1915 Alexander Rodchenko

  38. Suprematism

  39. Black Square 1913 Kazimir Malevich

  40. Black Circle 1913 Kazimir Malevich

  41. Suprematist Composition: White on White 1918 Kazimir Malevich

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