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Discover the essential elements of music texture including monophonic, homophonic, and polyphonic styles. Learn how to analyze and describe different textures in music with examples and technical terms.
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Texture • When you describe the texture of a piece of music, you are describing how much is going on in the music at any given moment. • For example, texture can be thick or thin, or it may have many or few layers. • You may be only able to hear rhythm, or a melody line with accompaniment, or it may have interweaving melodies. • There are many ways you can describe textures in music, but the most important show the relationships of melodies and harmonies.
Terminology • Monophonic (unison) • Monophonic music has only one melodic line – absolutely NO harmony or accompaniment. • Examples of monophonic music: • One person whistling • A group singing someone ‘Happy Birthday’ without harmonies or instruments • A solo instrument (like a trumpet) playing • https://www.youtube.com/watch?v=e4NtSqZcT_4
Terminology… • Homophonic (block chords) • Homophonic music has one clear melodic line with all other parts providing accompaniment or fill chords. • Examples of homophonic music: • A singer accompanied by a guitar picking or strumming chords. • A small jazz combo with a bass, a piano, and a drum set providing the ‘rhythm’ background for a trumpet solo. • A person playing the bagpipes (where the drones provide the accompaniment.) • https://www.youtube.com/watch?v=_WxfjWnuEno
Terminology • Polyphonic (different sounds or voices) • Polyphonic music has parts that weave in and out of each other. There are more than one independent melody occurring at the same time. • Examples of homophonic music: • A choir singing a round or canon (Row, Row, Row your Boat.) • Most pieces of music for a large instrumental group (orchestra) • Adding in a back-up singers or a second instrument playing harmony opposite to the melody. • http://www.youtube.com/watch?v=72eEBz2rGWU
How do you figure out the texture of a song? • Figure out the texture of the following pieces - keeping in mind the following rules: • That if there are a lot of instruments playing at once the texture is thick. • If there are only one or two instruments playing the texture is thin. • You can build up the texture from thin to thick, or reduce it from thick to thin. • Use the technical terms as much as possible.
Jill Barber – “Oh My My” • “Rhapsody in Blue” George Gershwin