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Baroque Art 17 th Century Italy, Spain, Flanders, Holland, France, England

Baroque Art 17 th Century Italy, Spain, Flanders, Holland, France, England. 2 nd ed chap 19 3 rd ed chap 22. 17 th Cen Baroque Characteristics. Early Baroque = harsh realism of Caravaggio Academic Baroque = Carracci High Baroque = exuberance of Bernini & Rubens

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Baroque Art 17 th Century Italy, Spain, Flanders, Holland, France, England

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  1. Baroque Art17th CenturyItaly, Spain, Flanders, Holland, France, England 2nd ed chap 193rd ed chap 22

  2. 17th Cen BaroqueCharacteristics • Early Baroque = harsh realism of Caravaggio • Academic Baroque = Carracci • High Baroque = exuberance of Bernini & Rubens • Spanish Baroque = realism & meticulous textures • French Baroque = restrained & Classical • Baroque of Holland = earthly bourgeois

  3. Fra Andrea Pozzo

  4. Fra Andrea Pozzo, Glorification of St. Ignatius,1691-1694 ceiling fresco Pieter Saenredam, Interior of the Choir of St. Bavo’s Church Haarlem, 1660

  5. Michelangelo Merisi CARAVAGGIO Self Portrait as Bacchus

  6. Caravaggio, Crucifixion of St. Peter, 1600-1601

  7. Caravaggio, Conversion of St. Paul, 1601

  8. Caravaggio, Calling of St. Matthew, c. 1597-1601

  9. Caravaggio, Death of the Virgin, 1605-1606

  10. Caravaggio, Entombment

  11. Caravaggio David with the Head of Goliath, 1606

  12. Artemisia Gentileschi

  13. 1612-1613 1625

  14. Judith Slaying Holofernes Artemisia Gentileschi Caravaggio

  15. Italian Baroque Painting:Overall Stylistic Characteristics • Increased sense of naturalism due to contemporizing religious subject matter and using everyday faces-the common man, unidealized, human earthly • Dramatic lighting-using clearly defined and specific light sources, often w/in the picture-creates dramatic modeling of form (in chiaroscuro) emerging out of the darkness: tenebrism • The use of saturated, intense, dramatic color

  16. Spanish BaroqueCharacteristics • Make a list • Realism and meticulous textures

  17. Jose de Ribera, Martyrdom of St. Bartholomew 1639 1634

  18. Francisco de Zurbaran, St. Serapion, 1628

  19. Francisco de Zurbaran, St. Francis in Meditation, 1639

  20. Zurbaran Ribera

  21. Diego Velazquez

  22. Velazquez Juan de Pareja, 1649-1650 Water Carrier of Seville, 1619

  23. Velazquez, The Surrender at Breda, 1634-35

  24. Velazquez, Las Meninas (Maids of Honor), 1656

  25. February 12, 2009Daily grade Name: _____________ Per: ______ Teacher: _________ Biographer Giovanni Bellori said about Caravaggio in 1672: • “There is no question that Caravaggio advanced the art of painting because he came upon the scene at a time when realism was not much in fashion and when figures were made according to convention and manner satisfied more the taste for gracefulness than for truth. Thus by avoiding all prettiness and vanity in his color, Caravaggio strengthened his tones and gave them flesh and blood.” –Bellori, The Lives of Modern Painters, Sculptors, and Architects. • Choose and identify a work by Caravaggio. Discuss the validity of Bellori’s statement about Caravaggio’s work in view of art works that have preceded it.

  26. Maderno, facade of St. Peter’s

  27. Francesco Borromini, San Carlo alle Quattro Fontane

  28. Interior Dome of Church of San Carlo alle Quattro Fontane, 1638-41 Francesco Borromini

  29. Flanders BaroqueCharacteristics • Make a list

  30. Peter Paul Rubens

  31. Peter Paul Rubens, Lion Hunt, 1617-1618

  32. Peter Paul Rubens, Arrival of Marie de Medici at Marseilles, 1622-1625

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