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Chapter Twenty-two Art Since 1945.
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Chapter Twenty-two Art Since 1945 Movements:Terms:The New York School: Action paintingPop Art Appropriation Minimal & Earthworks InstallationPhotorealism AssemblageConceptual Art PerformanceNeo-Expressionism HappeningNeo-Dada PluralismFeminism Postmodernism
The New York School Abstract Expressionism: Action Painting Insert 72 dpi visual Suggested visual: figure 22.1 Jackson Pollock, Number 1, 1949
The New York School Abstract Expressionism: Action Painting Insert 72 dpi visual Suggested visual: figure 22.3 Willem de Kooning, Woman and Bicycle, 1952-53.
The New York School Abstract Expressionism: Color Field Painting Insert 72 dpi visual Suggested visual: figure 22.4 Mark Rothko, Orange and Yellow, 1956. Insert 72 dpi visual Suggested visual: figure 22.5 Helen Frankenthaler, The Bay, 1963.
Into the Sixties: Into the Sixties Assemblages and Happenings Neo-Dada, Assemblages Insert 72 dpi visual Suggested visual: figure 22.7 Jasper Johns, Target with Four Faces, 1955. Insert 72 dpi visual Suggested visual: figure 22.8 Jean Tinguely, Homage to New York, 1960
Assemblages and Happenings Insert 72 dpi visual Suggested visual: figure 22.9 Allan Kaprow, The Courtyard, 1962.
Art of the 60’s & 70’s Pop Art Derived imagery from popular, mass-produced culture Insert 72 dpi visual Suggested visual: figure 22.10 Andy Warhol, 100 Cans, 1962 Insert 72 dpi visual Suggested visual: figure 22.11 Roy Lichtenstein, Masterpiece, 1962
Minimal Art & Earthworks Abstraction, economy & repetition Insert 72 dpi visual Suggested visual: figure 22.13 Frank Stella, Valparaiso Flesk and Green , 1963. Insert 72 dpi visual Suggested visual: figure 22.14 Donald Judd, Untitled, 1969.
Real, Super Real Photorealism: painting that resembles photographs Insert 72 dpi visual Suggested visual: figure 22.16 Don Eddy, New Shoes for H., 1973-74
Conceptual Art Idea is paramount, Form is secondary Insert 72 dpi visual Suggested visual: figure 22.17 Joseph Kosuth, One and Three Chairs, 1965.
Feminism and Feminist Art Honored female art and the domestic realm Insert 72 dpi visual Suggested visual: figure 22.18 Miriam Shapiro, Heartfelt, 1979
Art Since the Eighties Postmodern World Appropriation: artistic recycling of existing images Pluralism: multiple directions Insert 72 dpi visual Suggested visual: figure 22.21 Sherrie Levine, Fountain, 1991. Postmodernism: Words and Images, Issues and Identities
Postmodern The Painterly Image Neo-Expressionism: emotional intensity of the Expressionists Insert 72 dpi visual Suggested visual: figure 22.22 Anselm Kiefer, Interior, 1949
Words and Images, Issues and Identities Insert 72 dpi visual Suggested visual: figure 22.28 David Wojnarowicz, Untitled (Sometimes I come to hate people), 1992. Insert 72 dpi visual Suggested visual: figure 22.29 Juane Quick-to-See Smith, House, 1995.
Toward Theater Performance and Installation Insert 72 dpi visual Suggested visual: figure 22.32 Laurie Anderson performing, Stories from the Nerve Bible, 1993. Insert 72 dpi visual Suggested visual: figure 22.33 Cai Guo-Qiang, Dream, 2002. A full performance text of 22.23 can be found online.
The Digital Realm To participate: www.maryflanagan.com/collection.htm. Insert 72 dpi visual Suggested visual: figure 22.35 Mary Flanagan, [collection], 2001.
Being Human The Life of the Body Insert 72 dpi visual Suggested visual: figure 22.36 Matthew Barney, Cremaster 5: Her Giant, 1997
Being Human The Life of the Spirit Insert 72 dpi visual Suggested visual: figure 22.39 Lorna Simpson, Still from Easy to Remember, 2001
Chapter Twenty-two Art Since 1945 Movements:Terms:The New York School: Action paintingPop Art Appropriation Minimal & Earthworks InstallationPhotorealism AssemblageConceptual Art PerformanceNeo-Expressionism HappeningNeo-Dada PluralismFeminism Postmodernism