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Art of India and Southeast Asia

Art of India and Southeast Asia. The Buddha. The Buddha (born as Prince Siddhartha Gautama) Encountered first hand pain of old age, sickness, and death Renounced at 29. Search of knowledge through meditation Enlightened at 35. Meditating underneath the Bodhi Tree

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Art of India and Southeast Asia

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  1. Art of India and Southeast Asia

  2. The Buddha • The Buddha (born as Prince Siddhartha Gautama) • Encountered first hand pain of old age, sickness, and death • Renounced at 29. Search of knowledge through meditation • Enlightened at 35. Meditating underneath the Bodhi Tree • Preached 1st sermon at deer park in Sarnath and formed monastic community (Sangha)

  3. 4 Noble Truths • Life is suffering (dukkha) • Cause of Suffering is desire (trishna) • One can overcome and extinguish desire • Conquer desire and end suffering, follow Eightfold Path: understanding of thought, speech, action, livelihood, effort, mindfulness and concentration (Way of Good Living)

  4. The Great Stupa (Sanchi, India) completed first century CEStupa- earthern mound containing relics of the Buddha. Function: walk around clockwise, belief circular movement brings the devotee into harmony with the cosmosCircumambulation

  5. NOT A GRAVEMARKER Early relics: small bones, bits of hair. Buddha was cremated (thought that Buddha is not gone) 3D mandalas, or sacred diagram of the universe

  6. harmika/tornas/ chatras/ yasti/ veteca/

  7. The Enlightenment from the west gateway of the Great Stupa (Sanchi, India), c. 50-25 BCE

  8. The Great Departure, the east gateway of the Great Stupa

  9. The Great Departure, the east gateway of the Great Stupa

  10. Use of sensuous figures (yakshi) female nature deityfertility & vegetation)

  11. Interior of chaitya hall (Karli, India) c. 100

  12. Section (left) and plan (right) of chaitya hall at Karli

  13. Seated Buddha from Gandhara (Pakistan), 2nd to 3rd century, stonea new image of the Buddha

  14. Seated Buddha preaching the first sermon, from Sarnath (India) fifth century CEHalo and the Bodhi tree at Bodh Gaya/  Deer Park near Sarnath/ strong degree of abstract idealism/ mudra/ dharma/ long-lobed ears/ broad shoulders and thin waist/ image of a yaksha

  15. Differences in Styles Gandhara Sarnath Transparent drapery Abstract Features: Elongated eyes Attending figures Tight hair curls Elongated ear lobs Rings hold up neck Decorated Halo (light creates growth) Mudra: turning the wheel Wheel of the law (bottom) Deer: deer park at Sarnath • Toga like drapery (greco-roman) • Naturalistc • Simple • Wavy hair

  16. Left: Abhaya-mudra (granting protection to devotees and dispelling fear)Right: Varada-mudra (denotes a deity’s charity, or power to grant a wish or fulfill a vow)

  17. Left: Dhyana-mudra (denotes intense concentration during meditation)Right: Dharmacakra-mudra, the “turning of the Wheel of the Law” (gesture of teaching)

  18. Left: Vitarka-mudra (denotes exposition or argument, another form of teaching)Right: Vajra-mudra (symbolizes the supreme widsom of Adi-Buddha (Vairocana), especially in his Japanese manifestation as Dai Nichi; also symbolizes a mystical sexual union for Tantric adepts)

  19. Left: Bhumisparsha-mudra, or “touching the earth,” (most common in Thailand, a gesture made at the point of Enlightenment)Right: Anjali-mudra (symbol of supplication or adoration)

  20. Vishnu Temple (Deogarh, India), early sixth centuryHinduism/ Brahma/ Vishnu/ use of Hindu temple as a residence for a god/ darsan/ purusha/ mandala/ more sculptural than architectural/ sikhara

  21. Vishnu Reclining on the Serpent of Eternity (Deogarh), early sixth century

  22. Vastupurushamandala32 padadevatas (divinities in the square borders)/ nakshatras/ Brahmasthana

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