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Aestheticism “Art for art's sake”. What ? The aesthetic movement, part of the Decadent movement Where ? Europe (mainly England) When ? The last decades of XIX century Who ? Visual artists and writers
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Aestheticism “Art for art's sake”
What? The aesthetic movement, part of the Decadent movement Where? Europe (mainly England) When? The last decades of XIX century Who? Visual artists and writers Why? Reaction against the romantic way of reading art and against restrictions of industrial society Context
Walter Pater • Graduated and professor at Queen's College ofOxford; • Mainly influenced by J. Ruskin's Modern Painters and by the Pre-Raphaelite Brotherhood. • His method is visible in thePreface to Studies in the Italian Renaissance • He became the pillar of a lot of younger artists like O. Wilde, J. Joyce and W. Yeats; • He is considered the founder and theorist ofAestheticism
Origins The Theorist: Walter Pater Concept of Time: it is like a flowing river
Nature is crude if compared to art → Life should copy art → Criticism to Realism and Romanticism; Eternal youth ← Impossible → Tedium of everyday life; Beauty as the primary element of art → Art should only show beauty: it has no other aims ▼ Art for Art's sake The Pillars of the Aesthetic Movement
PhilosophicalAestheticism • Roots in I. Kant's thought → Beauty is not a feature of the object, but it is a relationship between it and the observer ; • Deeper analyzed from A. Schopenhauer → “Beauty” and “Sublime”; • And further on from S. Kierkegaard → I stage: Aesthetic; • Last but not least: F. Nietzsche → Dionysian (Aestheticism) overApollinen spirit (Ratio), in contrast totraditional thought.
MoralAestheticism • Aestheticism as a life style → Art over Virtue • Gabriele D'Annunzio → Art as an expression ofmetamorphosis due to one's awareness of human limits • Oscar Wilde → Artist as creator of beautiful things • Critics as a subjective judgment • Vice and Virtues are material for an artist, language is the instrument • → “All art is quite useless”