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Explore an eclectic mix of Pop Surrealism artworks in Chicago and Northern California. Delve into the surreal world of artists like H.C. Westermann, Jim Nutt, Peter Saul, and William T. Wiley, blending unconventional materials like pine, metal, watercolor, and acrylic to create thought-provoking pieces. This diverse collection showcases a unique fusion of creativity and imagination that challenges traditional art norms.
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H.C. Westermann, Memorial to the Idea of Man, If He Was an Idea, 1958, pine, bottle caps, metal, glass, enamel, and toys, 75 x 39 x 20 inchesHttp://chicagotonight.wttw.com/2012/01/10/hc-westermann
Gladys Nilsson, Steady Bears, 1970, watercolor, 15 3/16 × 11 7/8"
Jim Nutt, Miss Sue Port, 1967-68, acrylic on Plexiglas and enamel on wood, blue screws and red rubber, 61 x 37 inches
Peter Saul, Donald Duck Crucifixion, 1964; oil on canvas, 63 x 59 inches
Peter Saul, Sex Deviant Being Executed, 1964; oil on canvas, 75 x 59 incheshttp://www.nytimes.com/slideshow/2008/08/16/arts/design/20080816_SAUL_SLIDESHOW_3.html
Robert Arneson, Big Grape of Winery Lake, 1980, shows Robert Hudson, Rene di Rosa, Arneson and William T. Wiley http://www.dirosaart.org/about/the-collection/
Di Rosa collection Robert Hudson, Woman in the Moon, 1987; William Wiley, The Cold Plain Notes, 1985; Wally Hedrick, The Holy Bible, 1993
Di Rosa collection installation view: Robert Hudson, Running Through the Woods, 1975 (foreground), with William Wiley, Collaboration or Lack of It, 1993 (background)
William T. Wiley, White Rhino Injured, 73 x 96 inches, 1966http://www.williamtwiley.com/
William Allan. Transient Poet Leaving Home II, 1987; oil on canvas; 72.25 x 103.25 in. Courtesy of Di Rosa collection, Napa. http://youtu.be/RrBnTCC8PFs
William Allan, Robert Hudson and William T. Wiley,A Window on History by George, 1993, pastel, conté Crayon, charcoal, graphite, and acrylic on canvas, De Young MA, San Francisco