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OEDIPUS REX:. (Oedipus the King) The first play in the Theban trilogy and the model of Greek tragedy. The audience watches a man’s fate unravel before him:. PROLOGUE QUESTION 1: Read the play’s backstory and evaluate the role of FATE vs. FREE WILL in the play.
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OEDIPUS REX: (Oedipus the King) The first play in the Theban trilogy and the model of Greek tragedy
The audience watches a man’s fate unravel before him: PROLOGUE QUESTION 1: • Read the play’s backstory and evaluate the role of FATE vs. FREE WILL in the play. • Then explain why audiences experience CATHARSIS, an outpouring of pity or fear when Oedipus finds out his true identity.
Suppliants (beggars) gather at the gates of the city PROLOGUE QUESTION 2: There is a plague on the city of Thebes and the people have come to beg Oedipus for help. Pre-read page 160 to find out what problems the city has and make a sign for the rally at the gates of the city.
Oedipus faces a crowd of Thebans, his people who are suffering. PROLOGUE QUESTION 3: p159 • What do we learn about Oedipus from his opening comments? Consider: • How does he feel about his city and his people? • How does he react to their begging? • How does he describe himself? • What do his comments foreshadow (hint) for the audience?
Prologue Recap: Setting: The gates of the royal home of Oedipus Before the scene: • “Many years have passed since Oedipus solved the riddle of the Sphinx” and taken the throne of the previous king, Laius. • He has tried to escape his prophesy that he would murder his father and marry his mother—he has fled his city of Corinth. • He did not know he was adopted though—he kills a man on his way to Thebes (his biological father) and married the queen after saving the city from the Sphinx (his biological mother).
Prologue Recap: • Oedipus comes out of his home to welcome the “children of Thebes,” beggars who have come asking him to help the city. • Oedipus shows he cares for his people: “I’m ready to help, I’ll do anything.” • Oedipus ironically (DRAMATIC IRONY) references blindness—we know he is figuratively blind to his true identity and that he will literally blind himself later. (FORESHADOWING, BLINDNESS MOTIF) • He greets the priest who has come to speak on behalf of the people of Thebes. • The priest tells him that the city is a sinking ship that “cannot lift her head from the depths.” (SHIP MOTIF)
The priest speaks of the plague and begs help of Oedipus. PROLOGUE QUESTION 4: p160-161 • What does the priest reveal about the city and its people? • What does the priest want from Odysseus? • How does he appeal to him with flattery? • How does he appeal to his pride? • How does he remind the audience of the dangers of HUBRIS—excessive pride or arrogance?
Oedipus feels the pain of the city of Thebes. PROLOGUE QUESTION 5: • How does Oedipus respond to the priest’s request? • Consider what this reveals about him as a leader. • What action has he already taken? • Consider the role of religion and the gods in ancient tragedy.
Creon says that the killer must be banished or “pay back blood with blood.” PROLOGUE QUESTION 6: • What is Creon’s message from the oracle? • Consider why although Creon tries to report to Oedipus in privacy, Oedipus insists on taking the report in public. • What information is now needed? • Consider what “grounds for hope” Oedipus feels he now has.
Oedipus reassures:“I’ll bring it all to light myself!” PROLOGUE QUESTION 7: • How does Oedipus reassure him? • Consider the use of DRAMATIC IRONY (the contrast between the audience knows and a character does not know.) • How do lines 156-159 affect the audience? • Consider: “I am the land’s avenger.” “Not to assist some distant kinsman.” “For my own sake I rid us of this corruption.” “By avenging Laius I defend myself.”
The Chorus: PROLOGUE QUESTION 8: • Here the Chorus represents the elders of Thebes. • They speak in poetry/song. • They narrate and comment on the action of the play. • They comment on the religious messages of the play as its moral compass. • Find at least one example of DICTION (word choice) related to religion and mourning (sorrow at a death or loss.)