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1. Who’s Afraid Of Edward Albee? By. Dylan Lossiah The systematic dichotomy rife within Edward Albee’s “Who’s Afraid of Virginia Woolf” congealed about the American society of the 1960s like a bustling tempest of flavorful language and overall angst askance the menagerie of leering argument, so consistent with the world at the time of the play’s inception. Masterful digressions between man and wife, a somewhat tabooed or, at the very least, a much censored part of American society during this time of history, are ever present within Albee’s modern classic.