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CREATIVE PRAXIS IN SOCIAL WORK

CREATIVE PRAXIS IN SOCIAL WORK. & CREATIVE SOCIAL WORK EDUCATION. Presenters. Kerstin Jurdell Swedish Psychodrama School, Stockholm SW, MFA Psychodrama Director Trainer and Educator Private practice Teacher in social work for 20 years. Kristina Weinsjö

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CREATIVE PRAXIS IN SOCIAL WORK

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  1. CREATIVE PRAXIS IN SOCIAL WORK & CREATIVE SOCIAL WORK EDUCATION

  2. Presenters Kerstin Jurdell Swedish Psychodrama School, Stockholm • SW, MFA • Psychodrama Director • Trainer and Educator • Private practice • Teacher in social work for 20 years Kristina Weinsjö Stockholm University Department of Social Work • SW, MSW • Psychodrama Director • Senior administrator • Practice teacher in social work for 20 years

  3. Social work education in Sweden More theory and academy, (knowledge from authorities) Less practical knowledge in the education, (knowledge from yourself how to act and choose in the profession) ? Practical knowledge is not applied theory.

  4. Aristotle´s(384-322 BC) perception of knowledge Episteme (science) Practical knowledge • There is knowledge that can´t be in another way, • that is logical and mathematical relations • There is knowledge that can be different

  5. AristotlePractical knowledge PRAXIS POIESIS • Action • Fronesis /sagacity/ • Man has freedom to choosehow to act • The object is life itself • Consulting with yourselfwhich action is the best • Virtues like Courage, Temperance, Liberality, Magnificence, Magnanimity, Truthfulness, Friendliness etc. • Making • Techne / proficience / • Basically anonymous • It is not important who makes the job as long as it follows the plan or the receipt.

  6. PSYCHODRAMA AND SOCIODRAMA Jacob Levy Moreno 1889-1974 Zerka Moreno 1917- Founder of psychodrama, sociometry and pioneer of group psychotherapy • Co- writer • Married to Jacob Levy Moreno 1949-1974

  7. An example: Co leaders in psychodrama supervision Leaders of a student group Methods • Role reversal • Dialogue • Sharing

  8. CREATIVITY & SPONTANEITY • The universe is infinite creativity. Spontaneity is the constant companion of creativity. It is the existential factor “intervening" for creative processes to be released. • Creativity is the ever nourishing maternal center; • Spontaneity is the ever moving masculine fertilizer; conserve is the product and synthesis of their interaction.

  9. SPONTANIETY • Spontaneity is an unconservable energy and can´t be saved • “One either is spontaneous at a given moment or one is not” • Spontaneity is NOT impulsively. (Impulsive is acting from desire and often compulsive.)

  10. TRUE SPONTANIETY • True spontaneity is a high grade creativity variety of genius. An adequate response to the situation. • Characteristics -both novel and creative • New and useful for some purpose

  11. Spontaniety requires • The person in the profession is important (it is not the method which makes changes, it is the person in the methods) Master Eckhart (1260-1328) says ”a man can´t be whole in what he does, if he is not whole in what he is” • Warm-up- a sense of trust and safety, a receptivity to intuitions, images, feelings, a movement towards risk taking and exploration into novelty • Self-knowledge & self-awareness • Reflection

  12. Thank you More information: www.psykodramaskolan.blogg.se psykodramaskolan@gmail.com kristina.weinsjo@socarb.su.se

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