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NATIONAL HUMANITIES CENTER THE ASHCAN SCHOOL A Live, Online Professional Development Seminar

NATIONAL HUMANITIES CENTER THE ASHCAN SCHOOL A Live, Online Professional Development Seminar. WELCOME. Drawing by George Luks. Robert Henri 1865-1929. George Bellows Penn Station Excavation, 1909. George Bellows, Stag Night at Starkeys , 1907. Thomas W. Dewing, Hermit Thrush ,

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NATIONAL HUMANITIES CENTER THE ASHCAN SCHOOL A Live, Online Professional Development Seminar

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  1. NATIONAL HUMANITIES CENTER THE ASHCAN SCHOOL A Live, Online Professional Development Seminar WELCOME

  2. Drawing by George Luks

  3. Robert Henri 1865-1929

  4. George Bellows Penn Station Excavation, 1909

  5. George Bellows, Stag Night at Starkeys, 1907

  6. Thomas W. Dewing, Hermit Thrush, 1890

  7. Childe Hassam, The El 1984

  8. John Sloan, Six O’Clock, Winter, 1912

  9. George Bellows, Paddy Flannigan, 1908

  10. Robert Henri, Himself, 1913

  11. Franz Hals, Malle Babbe, 1633-35

  12. John Sloan, Three a.m., 1909

  13. John Sloan, The Hairdresser’s Window, 1917

  14. George Bellows, River Rats, 1906

  15. John Sloan, Sunday Afternoon in Union Square, 1912

  16. John Sloan, Fifth Avenue, 1906

  17. John Sloan, The Show Case, (from the series "New York City Life"), 1905

  18. John Sloan, Fun, One Cent (from the series "New York City Life"), 1905

  19. John Sloan, Movies, Five Cents, 1907

  20. Everett Shinn, Shop Window, 1903

  21. Jacob Riis, Bandit’s Roost

  22. Jacob Riis, Italian Mother and Baby, Ragpicker, New York, ca. 1889-1890.

  23. Jacob Riis, quoted in Maren Stange, Symbols of Ideal Life: Social Documentary Photography in America, 1890-1950, Cambridge: Cambridge University Press, 1989, p.16 “The beauty of looking into these places without actually being present there is that the excursionist is spared the vulgar sounds and odious scents and repulsive exhibitions attendant upon such a personal examination.”

  24. George Bellows, Cliffdwellers, 1913

  25. George Bellows, Tin Can Battle, San Juan Hill, New York, 1907.

  26. “. . . You can unmistakably discern a Jew by the walk, the flat foot, the turning out of the palm of the hand. . . You can tell an artist by the way he uses a thumb in place of the forefinger in describing a scene or picture. You can detect a convict by his clasped hands . . .” William Glackens

  27. D.W. Griffith, “The Italian Barber,” movie still

  28. D.W. Griffith, “Romance of the Jewess,” movie still

  29. John Sloan, Man and Monkey, 1905

  30. William Glackens, Far From the Fresh Air Farm, 1911

  31. William Glackens, Washington Square, 1913 Museum of Modern Art, New York

  32. William Glackens, Patriots in the Making, 1907

  33. Lewis Hine, Ellis Island photograph

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