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18 th century art. 1750 ushers in Industrialism Enlightenment Optimism that society could be reformed Philosophes believed man born to serve himself, not God or the aristocracy; state was to help this Rococo (playful) Neoclassicism(balanced and rational) Romanticism(emotion and remote).
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1750 ushers in Industrialism • Enlightenment • Optimism that society could be reformed • Philosophes believed man born to serve himself, not God or the aristocracy; state was to help this • Rococo (playful) • Neoclassicism(balanced and rational) • Romanticism(emotion and remote)
Rococo • Pastel colors • Dainty and light hearted • Arabesque, s shapes, c shapes, reverse c and volutes • Silver and gold against white • Boiseries=sculpted wood panels
Tiepolo: Marriage of Emperor Frederick and Beatrice of Burgundy
French painting • Fete galante: elegant outdoor entertainment
Straw = vanity • Momento mori • Passage of time • Woman stares in mirror as reminder of life’s fraility as was Watteau’s
Boucher • Hired to paint Watteau’s works • Madame du Pompadour was his patron • Worked to decorate Versailles and Fountainbleau • First painter to King Louis XV
Decorative Arts • Chinoseries • Creates scene in a country he never visited
Italian art • Grand Tour • Demand for vedute (city views) • Capriccio-fanciful or naturalistic • Canaletto became famous
Enlightenment • Voltaire was believer in science as the salvation of mankind • Rousseau believed that society had corrupted man so he rejected progress • Rousseau rejected Rococo and turned to the “natural”
NEOCLASSICISM • Albani villa • Johan Winckelmann was the first to analyze art as a series of period styles
Hackwood: “Am I Not a Man and a Brother?”, black and white jasperward, 1787
Joseph Wright • Specialized in drama of candlelit or moonlit scenes • Technological model=orrery used to demonstrate the universe working as a clock • Light to represent the sun • Children awed • Listener takes notes
Le Brun • High class portraits • Rescinded from acad.
Gainsborough • Intent to match subject with landscape • Deep interest in landscape
Joshua Reynolds: Lady Sarah Bunbury Sacrificing to the Graces, oil on canvas, 7’10” X 5’
Hogarth • Satirized contemporary life with comic zest • Poked fun at the artists of the continent • Liked to paint in series to tell a story • Marriage a la Mode satirized the immoralities within marriage of the moneyed class • Hands in moneyless pockets • Dog sniffs at cap in his pocket