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Feel of Seeing. Feel of Hearing. What is the quality of sensory experience?. J Kevin O’Regan Laboratoire Psychologie de la Perception Centre National de la Recherche Scientifique & Université René Descartes - Paris 5. No Feel. Quality of sensory modalities. Old view:
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What is the quality of sensory experience? J Kevin O’Regan Laboratoire Psychologie de la Perception Centre National de la Recherche Scientifique & Université René Descartes - Paris 5
Quality of sensory modalities • Old view: • Müller’s specific nerve energy • New view: • Cortical maps, neural pathways
standardview Brain creates experience Explanatory gap!
Sensorimotor approach to sensory experience(O’Regan & Noë, Behavioral and Brain Sciences, 2001)
Sensation = exercising a skill No more explanatory gap!
Sensation • Accessing knowledge that you are currently exercising a certain sensorimotor skill. • Quality of sensation: laws of sensorimotor contingency
Sensorimotor Contingencies(D. M. MacKay, 1956) The laws governing how what you do affects sensory input
“Red” is the way red things change the light (Broackes, 1992)
Seeing Red knowing that sensorimotor contingencies typical of red are currently being obeyed.
“Biological” reflection properties • for a biological organism • reflection properties are constraints over sensory inputs • set of reflection properties is finite dimensional finite number of singular reflection properties R LMSr LMSi
Universal color categoriesWorld color survey: Berlin & Kay (1969)
Unique hues D. Philipona & J K O’Regan, 2006
Hue Cancellation • 3D Wandell D. Philipona & J K O’Regan, 2006
“Red” is the way red things change the light (Broackes, 1992)
Forced choice more yellow-ish more blue-ish Bompas & O’Regan, 2005, 2006
standardview new view Seeing is making an internal representation Seeing is visually manipulating
The impression of seeing “everything” richness not in the head have algorithms to access information you see what you visually manipulate world as outside memory (O’Regan, 1992; cf. also Minsky, 1988; R. Brooks, 1991)
Change Blindness • Flicker • Rensink, O’Regan & Clark,1997; 1999 • Eye saccades • Currie, McConkie, Carlson-Radvansky & Irwin, 1995; McConkie & Currie, 1996 • Blinks • O’Regan, Deubel, Clark, Rensink, 1999 • Film cuts, real life • Levin & Simons, 1997 • “Mudsplashes” • O’Regan, Rensink & Clark (Nature, 1999)
Inattentional blindness • Neisser • Mack & Rock • D. Simons
Sensation • Accessing knowledge that you are currently exercising a certain sensorimotor skill. • Quality of sensation: laws of sensorimotor contingency
Examples of sensorimotor contingencies big change expanding flow shifting flow nothing big change no change increasing amplitude asynchrony big change nothing SEEING HEARING blink: move forward: turn sideways: cover ears: cover eyes:
Tactile Visual Sensory Substitution Bach y Rita (1972; 1984)
Tongue Display Unit Sampaio, E., S. Maris., and P. Bach-y-Rita. 2001Brain plasticity: 'Visual' acuity of blind persons via the tongue. Brain Research 908(July 13):204.
Sensory Substitution • “rewired” ferrets (Sharma, Angelucci & Sur, 2000; Melchner, Pallas & Sur, 2000) • Phantom limbs • TVSS (Bach y Rita, 1972, 1984) • substitution of vision through sound • embodiment in virtual reality • Murray & Sixsmith (1999); Heim (1995)
testing P. Meijer’s “The vOICe” Auvray & O’Regan, in press