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Single-Factor Experiments

Single-Factor Experiments. What is a true experiment? Between-subjects designs Within-subjects designs Designs to avoid (not true experiments). What is a true experiment?. Experiment = study in which researcher has complete control over all aspects of the study

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Single-Factor Experiments

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  1. Single-Factor Experiments • What is a true experiment? • Between-subjects designs • Within-subjects designs • Designs to avoid (not true experiments)

  2. What is a true experiment? Experiment = study in which researcher has complete control over all aspects of the study 2 Essential features of experiments: • Control Group or Control Condition (actually, or 2 or more levels of an IV) • Random allocation of subjects to groups (if it has a between-subjects factor)

  3. Some Terminology • IV = what the experimenter manipulates (varies) in an experiment; the hypothesized cause • DV = what the experimenter measures to test the hypothesis in an experiment; the hypothesized effect • Factor = IV • Level = condition = treatment: • One value of an IV • Example: for the factor “gender,” the levels are “male” and “female” (in a quasi-experiment) • Example: for the factor “number of witnesses” in a bystander intervention experiment, the levels could be “one” “two” and “four”

  4. Between-subjects designs • At least 2 conditions (groups) • Control and Experimental Condition, or • 2 or more levels of IV without “control” condition • Each subject is assigned to only one condition • Random assignment of subjects to conditions • Design a between-subjects experiment testing this hypothesis:Vocalization impairs short-term memory.

  5. Between-subjects Designswith Multiple Conditions • More than 2 levels of the IV • Randomly assign subjects to conditions Design a between-subjects experiment testing to answer the following questions: • Does vocalization impair STM? • Does it matter whether the vocalization is aloud or just “in your head”?

  6. Within-Subjects Designs • At least 2 conditions • Control and Experimental Condition, or • 2 or more levels of IV without “control” condition • Each subject is assigned to all conditions • Counterbalance to control for order and sequence effects Design a within-subjects experiment testing this hypothesis:Sub-vocalized speech impairs short-term memory.

  7. Counterbalancing in Within-Subjects Designs • Counterbalancing within subjects • Useful when each level of the IV occurs multiple times for each subject • Each subject gets both sequences of the conditions • Counterbalancing within groups (not within each subject) • Useful when there are many (more than 2) conditions • Necessary if each condition occurs only once per subject • An equal number of subjects get each sequence of the conditions

  8. Order and Sequence Effects • Order effects • Result from the position in which a condition occurs (first, second, third, etc) • If the order of conditions is “A-B”, order effects on B would be the effects that result from B being in the second position in the list • Example: practice effects • Sequence effects • Result from which conditions precede or follow a condition • If the order of conditions is “A-B”, sequence effects on B would be the effects that result from B following A • Example: color perception

  9. Controlling Order and Sequence Effects • Controlling Order Effects • Counterbalance the position in which each condition appears • ABC, CBA, ACB: C occurs first, second, and third an equal number of times • Controlling Sequence Effects • Counterbalance what each condition follows • ABC, BAC : C follows A half the time, and follows B half the time.

  10. Controlling Order and Sequence Effects Within Subjects • Only possible when each condition occurs at least twice for each subject • Method depends on how many times each condition occurs per subject: • Many times: randomize order of conditions • A few times: use block randomization of conditions • Twice: use reverse counterbalancing

  11. Controlling Order and Sequence Effects Within Groups • When it is not possible or practical to control within subjects • Necessary if each condition occurs only once for each subject • Sequences and orders controlled within a group of subjects, but not within each subject • Latin Square – a technique for partial counterbalancing (when full counterbalancing is impractical)

  12. Latin Square • A square matrix with length = number of conditions • Each condition occurs only once on each row and only once in each column: abcd bcda cdab dabc

  13. Balanced Latin Square • A Latin Square in which each condition is preceded by every other condition exactly once: abcd bdac cadb dcba

  14. Designs to Avoid • One-group post-test only • Post-test only with non-equivalent control group • One-group pretest-posttest design

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