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Viewing Photos Lesson 5

Viewing Photos Lesson 5. http://www.kodak.com/eknec/PageQuerier.jhtml?pq-path=39&pq-locale=en_CA&_ requestid=7408. COMPOSING TIPS. http://www.kodak.com/eknec/PageQuerier.jhtml?pq-path=14055&pq-locale=en_US&_requestid=3481. Be a picture director.

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Viewing Photos Lesson 5

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  1. Viewing Photos Lesson 5 http://www.kodak.com/eknec/PageQuerier.jhtml?pq-path=39&pq-locale=en_CA&_requestid=7408

  2. COMPOSING TIPS http://www.kodak.com/eknec/PageQuerier.jhtml?pq-path=14055&pq-locale=en_US&_requestid=3481

  3. Be a picture director. Take an extra minute to compose your photograph so that the reason you are taking it is clearly evident. Control your canvas by moving subjects, props, or your angle to add context and see things in a better way.

  4. Share the Inspiration: "Positioning the horizon line along the upper third reveals the dramatic play of light and shadow on the grassy foreground." — Wendy, Scotland.

  5. Move it from the middle – the Rule of Thirds. One of the most common mistakes of amateur photographers is placing the subject smack dab in the middle of the frame. This makes a picture more static and less interesting. That's why one of the most popular guidelines in both photography and painting is the Rule of Thirds. Imagine a tic-tac-toe board over your viewfinder and position the subject along one of the lines or at one of the intersections. If your subject fills most of the frame, position a focal point (like those smoldering eyes) at one of the intersections. With landscapes, keep the horizon along the lower third to give a feeling of spaciousness. Position the horizon along the upper third to give a feeling of nearness or intimacy. Break the rule… If you find a viewpoint in which symmetry is key, or in a portrait if you want to convey engagement or confrontation such as in Vera’s portrait of a Senegal family. (below)

  6. What’s that thing behind you? Before you shoot, take a look around for an uncomplicated backdrop that complements the subject instead of competing with it. Beware of trees or poles sprouting from your subject's head. Even better, find a background that draws the viewer's eye to the most important part of the picture.

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