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THE ROMANTIC PERIOD (1820-1900) Similarities to Classical but… Uses greater range of…. Tone color

THE ROMANTIC PERIOD (1820-1900) Similarities to Classical but… Uses greater range of…. Tone color Dynamics Pitch The harmonies are broader The use of unstable chords. THE ROMANTIC PERIOD (1820-1900) Characteristics Style emphasis on heart over mind & self-expression , individuality

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THE ROMANTIC PERIOD (1820-1900) Similarities to Classical but… Uses greater range of…. Tone color

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  1. THE ROMANTIC PERIOD (1820-1900) • Similarities to Classical but… • Uses greater range of…. • Tone color • Dynamics • Pitch • The harmonies are broader • The use of unstable chords

  2. THE ROMANTIC PERIOD (1820-1900) • Characteristics • Style • emphasis on heart over mind & self-expression , individuality • Aims & Strengths • universe of feelings • nature vs. supernatural

  3. THE ROMANTIC PERIOD (1820-1900) • Characteristics • Nationalism & Exoticism • expressing deliberately music credited to identity of a specific country • setting music with styles associated with foreign nationalities

  4. THE ROMANTIC PERIOD (1820-1900) • Characteristics • Program Music • Instrumental music associated with story or poem, idea, scene • Expressive tone color • using timbre alone to create mood & atmosphere • Romantic orchestra larger with more color options

  5. THE ROMANTIC PERIOD (1820-1900) • Characteristics • Colorful Harmony • chromatic harmony • 12tones scale • unstable • unsettled

  6. THE ROMANTIC PERIOD (1820-1900) • Characteristics • Expanded range of dynamics, pitch & tempo • use of pppp and ffff • plus longer cresendo’s & decresendo’s • extreme high notes and low notes • rubato feel = free feeling tempo of slightly slower or faster

  7. THE ROMANTIC PERIOD (1820-1900) • THE ART SONG • solo voice & piano / setting to poems to music • Strophic form = new lyric but same music per stanza • Through composed form = new music and new lyric per stanza • Song Cycle = group of art songs that tell a larger story or theme

  8. THE ROMANTIC PERIOD (1820-1900) • Schubert • born Vienna • earliest romantic great • love of poetry lead to art song • (143 total written) • died at 31

  9. THE ROMANTIC PERIOD (1820-1900) • Listening Journal : Schubert : The Erlking • Through Composed • father riding home sick child • sick boy has visions of the Erlking (king of Elves symbol of death) • galloping accompaniment • mounting tension of through composed • climax @ end when father arrives home but boy has died

  10. THE ROMANTIC PERIOD (1820-1900) • The Schumann’s • Robert & Clara (married couple) • German composers who meet in Leipzig • Her father forbid them from marrying • Robert was more well known as a composer • She was performing pianist • Robert wrote mainly piano pieces • Wrote some Art songs

  11. THE ROMANTIC PERIOD (1820-1900) • The Schumann’s • Listening Journal: Carnaval (Robert) • Selected songs from Carnaval song cycle • Cycle of 21 brief song • Each has descriptive title evoking a characters, moods, ect.. at a masked ball • Listening Journal: Liebst du um Schonheit (Clara) • From a song cycle written in 1841 • 9 songs of Robert + 3 songs of Clara • Would often write love notes in music to each other • Clara’s song glorifies romantic love

  12. THE ROMANTIC PERIOD (1820-1900) • Chopin • only great composer who wrote almost exclusively for the Piano • born Warsaw Poland (1810-1849) • @ 21 moved to Paris • feel into life with the aristocratic society

  13. THE ROMANTIC PERIOD (1820-1900) • Chopin • played more in upper class salons rather than concert halls • was reserved shy man • wrote nocturnes, waltzes, preludes, etudes • died of tuberculosis @ 39.

  14. THE ROMANTIC PERIOD (1820-1900) • Chopin • Listening Journal : • Chopin :Nocturne in Eb Major • Listening Journal : • Chopin : Etude in C Minor

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